A writer's job is to imagine everything so personally that the fiction is as vivid as memories.
John IrvingRead
This is a writer’s lesson: To learn that the sounds that we imagine can be the clearest, loudest sounds of all.
Interpretation
Imagination can create powerful experiences that resonate deeply.
In this quote, John Irving emphasizes the profound impact of a writer's imagination, suggesting that the sounds and images conjured in the mind can often be more vivid and evocative than any real-world experience. The lesson for writers is to trust in their creative vision and recognize that their inner worlds have the ability to produce powerful, resonant effects on their readers.
In practice
In a writing workshop, this quote can inspire participants to tap into their imagination.
A writer's job is to imagine everything so personally that the fiction is as vivid as memories.
No one but me ever put a hand on me to feel that baby. No one wanted to put his ear against it and listen...You shouldn't have a baby if there's no one who wants to feel it kick or listen to it move.
It's not very interesting to establish sympathy for people who, on the surface, are instantly sympathetic. I guess I'm always attracted to people who, if their lives were headlines in a newspaper, you might not be very sympathetic about them.
It is an important distinction to note that she looked not only as if she had taken good care of herself, but that she had good reason to have done so. (...) She looked to be in such total possession of her life that only the most confident men could continue to look at her if she looked back at them. Even in bus stations, she was a woman who was stared at only until she looked back.
I am doomed to remember a boy with a wrecked voice. Not because of his voice, or because he was the smallest person I ever knew, or even because he was the instrument of my mother's death, but because he is the reason I believe in God. I am a Christian because of Owen Meany.
I will tell you what is my overriding perception of the last twenty years: that we are a civilization careening toward a succession of anticlimaxes – toward an infinity of unsatisfying, and disagreeable endings.
I find in my own writing that only fiction - and rarely, a poem - fully tests me to the kind of limits of what I know and what I feel.
Another word for creativity is courage.
The music began, and it was one of those life-changing moments. I saw an artist, Janis Joplin. She was exhilarating. She was vibrating. And she was like no other artist that I had ever seen before... It struck me that hard. Maybe the word is epiphany, when you get that special sensation.
No one ever gets talker's block. No one wakes up in the morning, discovers he has nothing to say, and sits quietly, for days or weeks, until the muse hits, until the moment is right, until all the craziness in his life has died down.
Because each photograph is only a fragment, its moral and emotional weight depends on where it is inserted. A photograph changes according to the context in which it is seen: thus Smith's Minamata photographs will seem different on a contact sheet, in a gallery, in a political demonstration, in a police file, in a photographic magazine, in a book, on a living-room wall. Each o these situations suggest a different use for the photographs but none can secure their meaning.
I strongly believe that the art of the novel works best when the writer identifies with whoever he or she is writing about. Novels in the end are based on the human capacity, compassion, and I can show more compassion to my characters if I write in a first person singular.
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