Most writers - poets in especial - prefer having it understood that they compose by a species of fine frenzy - an ecstatic intuition - and would positively shudder at letting the public take a peep behind the scenes.
Interpretation
Writers, especially poets, often want their creative process to appear mysterious and inspired rather than methodical.
Edgar Allan Poe highlights the romanticized notion among writers, particularly poets, that their creative work stems from a spontaneous burst of inspiration or 'fine frenzy.' They fear that revealing the mundane processes behind their writing might diminish the perceived magic and beauty of their art, suggesting a tension between artistic expression and the public's understanding of that process.
In practice
In a discussion about the creative process during a literary event.
But evil things, in robes of sorrow, Assailed the monarch's high estate; (Ah, let us mourn, for never morrow Shall dawn upon him desolate!) And round about his home the glory That blushed and bloomed, Is but a dim-remembered story Of the old time entombed.
...the agony of my soul found vent in one loud, long and final scream of despair.
Where the good and the bad and the worst and the best have gone to their eternal rest.
I could have clasped the red walls to my bosom as a garment of eternal peace. "Death," I said, "any death but that of the pit!" Fool! might I have not known that into the pit it was the object of the burning iron to urge me?
In our endeavors to recall to memory something long forgotten, we often find ourselves upon the very verge of remembrance, without being able, in the end, to remember.
Thank Heaven! The crisis /The danger is past, and the lingering illness, is over at last /, and the fever called ''Living'' is conquered at last.
If having a story that's compelling - you want to know what will happen - is traditional, then ultimately I am a traditionalist. That is what readers care about. It's what I care about as a reader. Now if I can have that along with a strong girding of ideas and some kind of exciting technical forays - then that is just the jackpot.
If an essay has a 'motive,' it is linked more to happenstance and opportunity than to the driven will. A genuine essay is not a doctrinaire tract or a propaganda effort or a broadside.
That afternoon he told me that the difference between human beings and animals was that human beings were able to dream while awake. He said the purpose of books was to permit us to exercise that faculty. Art, he said, was a controlled madness… He said books weren't made of themes, which you could write essays about, but of images that inserted themselves into your brain and replaced what you were seeing with your eyes.
I really am a theater person. That means you put something out there, and you let it go. Tomorrow night is a new performance.
When I write, I make my memories tangible, and in this way I can get rid of them.
I work for ABC. If the thing that ABC is paying me for is storytelling - not to make sure that a costume is exactly right or all those other things - then it is up to me to find the most creative space possible so that that function of my job can happen.
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