When I have one martini, I feel bigger, wiser, taller. When I have a second, I feel superlative. When I have more, there's no holding me.
William FaulknerRead
The writer's only responsibility is to his art...If a writer has to rob his mother, he will not hesitate; the 'Ode on a Grecian Urn' is worth any number of old ladies.
Interpretation
A writer must prioritize their art above all else, even personal relationships.
In this quote, William Faulkner emphasizes the deep commitment that artists must have towards their craft. He suggests that for a writer, the pursuit of artistic integrity may sometimes take precedence over moral or familial obligations, highlighting the sacrifices that individuals in creative fields might make in order to create something of true value.
In practice
In a writing workshop, you might use this quote to discuss the sacrifices writers often make for their craft.
When I have one martini, I feel bigger, wiser, taller. When I have a second, I feel superlative. When I have more, there's no holding me.
I feel like a wet seed wild in the hot blind earth.
When grown people speak of the innocence of children, they dont really know what they mean. Pressed, they will go a step further and say, Well, ignorance then. The child is neither. There is no crime which a boy of eleven had not envisaged long ago. His only innocence is, he may not be old enough to desire the fruits of it...his ignorance is, he does not know how to commit it...
Maybe times are never strange to women: it is just one continuous monotonous thing full of the repeated follies of their menfolks.
He had a word, too. Love, he called it. But I had been used to words for a long time. I knew that that word was like the others: just a shape to fill a lack; that when the right time came, you wouldn't need a word for that any more than for pride or fear....One day I was talking to Cora. She prayed for me because she believed I was blind to sin, wanting me to kneel and pray too, because people to whom sin is just a matter of words, to them salvation is just words too.
Ever since then I have believed that God is not only a gentleman and a sport; he is a Kentuckian too.
On Creating — What we crave, what we want to see in others eyes, is that servile expression, an unconcealed infatuation with our gestures.
But I really resist categories – that naming is a closing down of meaning. Women's art, political art – those categorisations perpetuate a certain kind of marginality which I'm resistant to. But I absolutely define myself as a feminist.
In truth, I never consider the audience for whom I'm writing. I just write what I want to write.
Film is truth 24 times a second, and every cut is a lie.
There is no reason to design buildings that are more basic and rectilinear, because with concrete you can cover almost any space.
I was an awful critic. I operated on the assumption that there was an absolute scale of values against which art could be measured. I didn't trust my own subjective responses.
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