Listen, three eyes," he said, "don't you try to outweird me, I get stranger things than you free with my breakfast cereal.
Douglas AdamsRead
Years and years ago, I did a game based on 'Hitchhiker's Guide' with a company called Infocom, which was a great company. They were doing witty, intelligent, literate games based on text.
Interpretation
The quote reflects on the innovative and clever nature of text-based games inspired by 'Hitchhiker's Guide'.
In this quote, Douglas Adams reminisces about his early experiences with Infocom, a company that pioneered text-based adventure games that were both witty and intellectually stimulating. He highlights the significance of creativity and literacy in gaming, showcasing how storytelling and humor can elevate the interactive experience.
In practice
In a speech at a gaming conference, one might say, 'Years ago, I played games that transformed storytelling, just like Adams did with 'Hitchhiker's Guide'.
Listen, three eyes," he said, "don't you try to outweird me, I get stranger things than you free with my breakfast cereal.
"What's so unpleasant about being drunk?" "Ask a glass of water."
Protect me from knowing what I don't need to know. Protect me from even knowing that there are things to know that I don't know. Protect me from knowing that I decided not to know about the things that I decided not to know about. Amen. [...] Lord, lord, lord. Protect me from the consequences of the above prayer.
Computers are still technology because we are still wrestling with it: it's still being invented; we're still trying to work out how it works. There's a world of game interaction to come that you or I wouldn't recognise. It's time for the machines to disappear. The computer's got to disappear into all of the things we use.
What the computer in virtual reality enables us to do is to recalibrate ourselves so that we can start seeing those pieces of information that are invisible to us but have become important for us to understand.
We are stuck with technology when all we really want is just stuff that works. How do you recognize something that is still technology? A good clue is if it comes with a manual.
The regular division of the plane into congruent figures evoking an association in the observer with a familiar natural object is one of these hobbies or problems...I have embarked on this geometric problem again and again over the years, trying to throw light on different aspects each time. I cannot imagine what my life would be like if this problem had never occurred to me; one might say that I am head over heels in love with it, and I still don't know why.
As a director you have to be careful you don't over-design the film. You have to be careful that the period aspect does not take over.
Way before we were scratching pictures on caves or beating rhythms on hollow trees we were perfecting the art of combining our breath and mind and muscles into fluid self-propulsion over wild terrain.
My landscapes are not only beautiful, or nostalgic, with a Romantic or classical suggestion of lost Paradises, but above all 'untruthful.' By 'untruthful,' I mean the glorifying way we look at Nature. Nature, which in all its forms is always against us, because it knows no meaning, no pity, no sympathy, because it knows nothing and is absolutely mindless, the total antithesis of ourselves.
Whatever your life's pursuit -- art, poetry, sculpture, music, whatever your occupation may be -- you can be as spiritual as clergy, always living a life of praise.
What I try to do is write. I may write for two weeks ‘the cat sat on the mat, that is that, not a rat,’.... And it might be just the most boring and awful stuff. But I try. When I’m writing, I write. And then it’s as if the muse is convinced that I’m serious and says, ‘Okay. Okay. I’ll come.
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