I applaud Women in Film - not only for celebrating the successes of women, but for providing a safety network to mentor women and to discuss the particular issues that arise in a very male-dominated industry.
When you’ve had children, your body changes; there’s history to it. I like the evolution of that history; I’m fortunate to be with somebody who likes the evolution of that history. I think it’s important to not eradicate it. I look at someone’s face and I see the work before I see the person... You’re certainly not staving off the inevitable. And if you’re doing it out of fear, that fear’s still going to be seen through your eyes. The windows to your soul, they say.
Interpretation
What this quote means
This quote reflects on the beauty and acceptance of physical changes that come with having children, emphasizing the importance of embracing one's history.
Cate Blanchett's quote highlights the profound connection between one's physical appearance and the experiences that shape it, particularly through motherhood. She expresses gratitude for having a partner who appreciates this evolution and underscores the idea that trying to hide or alter these changes out of fear is ultimately futile. The quote suggests that our experiences are etched onto our bodies, and recognizing this can enrich our understanding of ourselves and how we relate to others.
Themes
In practice
Example use cases
This quote can inspire mothers to cherish their bodies as they change over time.
More from Cate Blanchett
All quotes →I have a very healthy relationship to my work, and I find that if a scene is working, no matter how intense it is, you have the catharsis on screen, and you can let it go. I think it's, if at the end of the day you feel like you haven't cracked it, that's when you go home and it's more difficult to switch off.
I love theatre - it's where I started - and I've directed a play myself. I'm not sure if I want to direct a film, but certainly, as an actress, I'm always thinking, 'Surely this must be my last film.'
I'm not particularly needy, and I'm not particularly anxious. I don't look for a director to tell me I'm doing a good job or that I'm great. I don't need to be stroked. It's more my own yardstick.
I think the only thing I knew for sure is that I wanted to, whatever I did, I wanted to travel with my work, an adventurous spirit.
Those of us in the industry who are still foolishly clinging to the idea that female films with women at the center are niche experiences - they are not. Audiences want to see them and, in fact, they earn money. The world is round, people.
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Everybody's social life in Jordan revolves around family.