It took nature 100 million years to make the ape stand up and become Homo sapiens. It took us only 10,000 to make knowing obsolete.
Sugata MitraRead
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It took nature 100 million years to make the ape stand up and become Homo sapiens. It took us only 10,000 to make knowing obsolete.
We're living on the Planet of the Apes. Is that funny or serious?
If then, said I, the question is put to me would I rather have a miserable ape for a grandfather or a man highly endowed by nature and possessing great means and influence and yet who employs those faculties for the mere purpose of introducing ridicule into a grave scientific discussion-I unhesitatingly affirm my preference for the ape.
It was their individuality combined with the shyness of their behavior that remained the most captivating impression of this first encounter with the greatest of the great apes.
You can do something that walks a line, and invariably, whatever that line is, it will be crossed by people who don't know any better and want to ape the success.
I like the idea of making films about ostensibly absolutely nothing. I like the irrelevant, the tangential, the sidebar excursion to nowhere that suddenly becomes revelatory. That's what all my movies are about. That and the idea that we're in possession of certainty, truth, infallible knowledge, when actually we're just a bunch of apes running around. My films are about people who think they're connected to something, although they're really not.
It is even harder for the average ape to believe that he has descended from man.
I have a deep sympathy with war; it so apes the gait and bearing of the soul.
I demand of you, and of the whole world, that you show me a generic character... by which to distinguish between Man and Ape. I myself most assuredly know of none.
Conformity is the ape of harmony.
She is your treasure, she must have a husband;_x000D_ _x000D_ I must dance bare-foot on her wedding day,_x000D_ _x000D_ And, for your love to her, lead apes in hell.
I would rather be the offspring of two apes than be a man and afraid to face the truth.
Well, I will scourge those apes, And to these courteous eyes oppose a mirror, As large as is the stage whereon we act; Where they shall see the time's deformity Anatomised in every nerve, and sinew, With constant courage, and contempt of fear.
ASTONISHING, said Death. REALLY ASTONISHING. LET ME PUT FORWARD ANOTHER SUGGESTION: THAT YOU ARE NOTHING MORE THAN A LUCKY SPECIES OF APE THAT IS TRYING TO UNDERSTAND THE COMPLEXITIES OF CREATION VIA A LANGUAGE THAT EVOLVED IN ORDER TO TELL ONE ANOTHER WHERE THE RIPE FRUIT WAS.
You have the effrontery to be squeamish, it thought at him. But we were dragons. We were supposed to be cruel, cunning, heartless and terrible. But this much I can tell you, you ape – the great face pressed even closer, so that Wonse was staring into the pitiless depths of his eyes – we never burned and tortured and ripped one another apart and called it morality.
All beings so far have created something beyond themselves; and do you want to be the ebb of this great flood and even go back to the beasts rather than overcome man? What is the ape to man? A laughingstock or a painful embarrassment. And man shall be just that for the overman: a laughingstock or a painful embarrassment.
As far as I can recall, the initial shiver of inspiration [for Lolita] was somehow prompted by a newspaper story about an ape in the Jardin des Plantes, who, after months of coaxing by a scientist, produced the first drawing ever charcoaled by an animal: this sketch showed the bars of the poor creature's cage.
My characters are more like men than these real men are, see. They're rough and rude, they got hands and they got bellies. They hate and they lust; break the skin of civilization and you find the ape, roaring and red-handed.
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