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I'm not knocking conceptual art; it's another department, but it doesn't move me like painting.

It would be obvious for me to do conceptual art, and I think I've done it already with smashing bass guitars and whatever - I consider that as conceptual.

Comedy is inherently subversive because it turns the normal reality on its head. The art form is all about these questions and contradictions. In comedy, we're dealing with language that we all understand, but words can have a dozen other things around them that alter or affect meaning.

Andy was a nonverbal person; you couldn't get directions out of him. All he knew was what was modern in art was what wasn't art: The telephone was art, the pizza was art, but what was hanging on walls in museums wasn't art.

In the West, we look at art through life. Well, that's one way of living. In the Orient they look at life through art. They even drink their tea without sugar, for the same reason that they don't like a lot of frilly decorations on a painting. I can't stand butter on my bread for the same reason. I'm allergic to goo and rococo.

Copy, art, and typography should be seen as a living entity; each element integrally related, in harmony with the whole, and essential to the execution of an idea.

Just as there is no substitute for original works of art, there is no substitute for the world of direct sensual experience.

Aboriginal art and culture draws from the land, for Aboriginality and the land are essential to each other and are inseparable.

At its best, Aboriginal art has been effective in translating an entire culture and the understanding of an entire continent. Indeed, the more we interpret Australia through Aboriginal eyes, through the experience of their long and epic story, the more we allow ourselves to understand the land we share.

The worst state of affairs is when science begins to concern itself with art.

Art does not reproduce what we see; rather, it makes us see.

Art is either plagiarism or revolution.

Sometimes magnificent visual art takes root in the humblest of soils. Advertisements painted on old barns, tattoos, fruit crate labels, hot rod embellishments - all these media and many other non-galleried forms have hosted and fostered esthetic delights that satisfy any rigorous definition of art.

There's no objective reason anyone can point to that proves a horror story is innately inferior or that it's doomed to fail as a work of art because of it being horror. Anyone saying otherwise is being intellectually dishonest.

I don't get many hecklers now but answering them is an art form in itself.

It is a peculiar art form, but I think it's a necessary art form - and I do believe it's a noble art form.

Art fairs bring attention to up and coming artists and some amazing new works. They are a way to connect everyone with what's happening at the cutting edge of art, both new and historic.

Film used to have to be niche and find its audience in a little art house cinema, and TV had to work for everybody. And now it's kind of flipped where there's so many platforms that TV can be incredibly niche.

The thing is that as you grow through life, the pursuit of art and the pursuit of new ideas, all these things keeps your mind elastic.

When you're a little kid, you just like music that makes you happy and is fun. As you get older, you reach college or your 20s and you decide that music should be challenging and all art should be smart. So you start to think it makes you like high art more to put down things you consider low art. I don't even think things are low art.

Why do we make records? Because we want to say something. Why are you in art? Because you want to say something. The second you don't have anything to say, you stop making art - you might start making product. And I'm interested in being an artist.

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