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One of the things I've been most excited by is U.S. television drama. For my money, it's some of the greatest narrative art of our time. Each series is like a 19th-century Russian novel: you need to do a lot of work in the first few episodes, just as you do in the first 50-60 pages of those books.

Silent pictures show us how we lived and what our attitudes were. And as an art form, they can be wonderfully entertaining and often inspirational.

I think whatever art form you're in, whether TV, film or theater, you should know the history of who came before you and how the art form has changed or not changed and to learn from the greats.

I suppose it's true that most great television, literature, and other forms of high art (and basic cable) benefit from a little hindsight. 'M.A.S.H.' comes to mind. So does 'The Iliad.'

What I'm doing is art - it's low-brow art but there's a magic in that.

When art works travel from place to place, what you have is the opportunity to engage with the intellect of another person who has made a thing that should have enough information in it in the way it's constructed to start thinking about why that picture got made - not why it is relevant to you.

I gave up on the idea of making art a long time ago, because I wanted to know how to make paintings; but once I came to know that, reconsidering the question of what art is returned as a critical issue.

People don't really want to hear me say this, but a black person who will give a million dollars to the Museum of Modern Art but won't give a million to the Studio Museum in Harlem is simply mistaken.

When you grow up looking at Superman, Batman, and all those superheroes, you take it for granted that is what superheroes are supposed to be. So then, when I see art books at the library, and I'm seeing Leonardo da Vinci and Michelangelo and Rembrandt, I think that's what artists look like.

My introduction to art history was like everybody else's. You see an art history book that has works by Rembrandt and Leonardo da Vinci and Michelangelo. Yes, these things are great. But I don't see a reflection of myself in any of these things I'm looking at.

When you go to an art museum, the thing you're least likely to encounter is a picture of a black person. When it comes to ideas about art and about beauty, the black figure is absent.

I want to make art that is helpful, that's useful to people, that starts fruitful conversations. That makes you think about a question that you hadn't considered before.

I do promotion because I want to do art. I don't do the art because I want to be famous.

I do not see the process of blogging as a separate thing from creating art. This is in part why I do not like to be known for being a 'blogger,' as this is just one form of output for creative ideas.

I've directed 'Raisin in the Sun' five times. You keep discovering things. You keep on seeing things in the script that you never saw before. That's what great pieces of art do.

I always say film is art, theater is life and television is furniture.

I always thought it would be a great thing to do an art carwash. So you can actually go and get your car washed, but while you're sitting around waiting you can walk in that hallway where you look at the cars going through the window, and that could be changing exhibitions.

Part of what I do and what I want to do is I want to bring art into the everyday life. If you can take ordinary just walking in the street and you're confronted by something, that might change your day - it might inspire you.

I think good art should always be entertaining, or at least give pleasure of some sort. And my chief goal as a writer has always been to tell a good story and give my readers a good time.

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