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My interest is in completing an image that is spectacular beyond belief. My fidelity is to the image and the art and not to the bragging rights of making every stroke on every flower. I'm realistic.
The beauty of art is that it allows you to slow down, and for a moment, things that once seemed unfamiliar become precious to you.
The erotic and the art historical imagination is something that gets very little play when people talk about my work, and when they rarely do, they try to problematize it.
When I'm at my best, I'm trying to destabilize myself and figure out new ways of approaching art as a provocation. I think I am at my best when I push myself into a place where I don't have all the answers.
If you look at the paintings that I love in art history, these are the paintings where great, powerful men are being celebrated on the big walls of museums throughout the world. What feels really strange is not to be able to see a reflection of myself in that world.
If art can be at the service of anything, it's about letting us see a state of grace for those people who rarely get to be able to be seen that way.
What I try to do is defy expectations in terms of boundaries, whether it is high or low art, pop culture, or fine-art culture. My work is about reconciling myriad cultural influences and bringing them into one picture.
Art in the age of the digital image is completely different from experiencing art in physical form.
Art is about changing what we see in our everyday lives and representing it in such a way that it gives us hope.
Everyone's attention span is getting shorter. As a result, everything - films, music, art - gets watered down and dumber. Every now and again, you get something great, but not often.
It's important that I work with people where they know why they're hiring me and that they're looking to create art without fear. Anyone who uses those excuses to not cast people or to create extremely stereotypical characters, they're creating out of fear, and to me that's really boring.
Cinema is not just a side show - it is something which is much deeper than that. It is a form of art which needs to be respected.
Art, I've always believed, is more real than life.
My father was a San Francisco firefighter. He also was an amateur artist. Art ran deep on his side of the family, which originated in Spain. He painted our portraits. My mom, Jacqueline, was Scots-Irish. They met in 1947 when dad played for the Houston Buffalos, a minor league baseball team affiliated with the St. Louis Cardinals.
We accept so many things that come through the media; we get used to them, however vigilant we are. But for any creative art, you have to remain 110% conscious, and in a world that's losing consciousness, that's getting harder.
If commercialization is putting my art on a shirt so that a kid who can't afford a $30,000 painting can buy one, then I'm all for it.
People were more interested in the phenomena than the art itself. This, combined with the growing interest in collecting art as an investment and the resultant boom in the art market, made it a difficult time for a young artist to remain sincere without becoming cynical.
Art is for everybody.
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