All my big mistakes are when I try to second-guess or please an audience. My work is always stronger when I get very selfish about it.
David BowieRead
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All my big mistakes are when I try to second-guess or please an audience. My work is always stronger when I get very selfish about it.
Given the choice between trivial material brilliantly told versus profound material badly told, an audience will always choose the trivial told brilliantly.
Does having a wife and kids change your act? Yes, but only in the best way. It gives you weight and authority. It also makes you closer to the audience because the audience is married and has kids.
Whatever your style or subject matter, in the end, film-making is about searching for authenticity - that is what the audience will divine.
You're allowed to bore your friends and family, but to bore your audience is unforgivable.
The artist must forget the audience, _x000D_ forget the critics, forget the technique, forget everything but love for the music._x000D_ Then, the music speaks through the performance,_x000D_ and the performer and the listener will walk together_x000D_ with the soul of the composer, and with_x000D_ God.
I want my audience to be constantly captivated, bewitched, so that it leaves the theatre dazed, stunned to be back on the pavement.
And perhaps, those of us in the industry who are still foolishly clinging to the idea that female films, with women at the center are niche experience, they are not. Audiences want to see them and, in fact, they earn money. The world is round, people.
Before the web and these highly focused entities, journalists got to decide what was important to tell their audience and educated their readers. Now, journalists have to try and understand what their consumer actually wants to read and what angle they are looking for in order to keep audiences engaged in a highly competitive world.
Economics is a subject profoundly conducive to cliche, resonant with boredom. On few topics is an American audience so practiced in turning off its ears and minds. And none can say that the response is ill advised.
It's a gamble you take, the risk of alienating an audience. But there's a theory - sometimes it's better to confuse them for five minutes than let them get ahead of you for 10 seconds.
You do not write a novel for praise, or thinking of your audience. You write for yourself; you work out between you and your pen the things that intrigue you
You've got a song you're singing from your gut, you want that audience to feel it in their gut. And you've got to make them think that you're one of them sitting out there with them too. They've got to be able to relate to what you're doing.
At male strip shows, it is still the women that we watch, the audience of women and their eager faces. They are more obscene than if they were dancing naked themselves.
Once a president gets to the White House, the only audience that is left that really matters is history.
Well, all the plays that I was trying to write were plays that would grab an audience by the throat and not release them, rather than presenting an emotion which you could observe and walk away from.
An actor really is a kind of intermediary between an audience and the piece, whether it's a play or movie.
I pull the sleeping bag up to his chin and kiss his forehead, not for the audience, but for me. Because I'm so grateful that he's here, not dead by the stream as I'd thought. So glad I don't have to face Cato alone.
Of course I talk to myself. I like a good speaker, and I appreciate an intelligent audience.
I don't often go to curator or artist walk-throughs of exhibitions. For a critic, it feels like cheating. I want to see shows with my own eyes, making my own mistakes, viewing exhibitions the way most of their audience sees them.
There are so many low points with stand-up. You are perpetually humiliated, so it doesn't really matter anymore. I don't have any dignity left to lose. An audience can’t hurt you anymore when you’ve been completely dismantled.
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