Quotes on Audience

Ayn Rand's 'philosophy' is nearly perfect in its immorality, which makes the size of her audience all the more ominous and symptomatic as we enter a curious new phase in our society.... To justify and extol human greed and egotism is to my mind not only immoral, but evil.

It is this simplicity that makes the uneducated more effective than the educated when addressing popular audiences-makes them, as the poets tell us, 'charm the crowd's ears more finely.' Educated men lay down broad general principles; uneducated men argue from common knowledge and draw obvious conclusions.

[on BBC's Sherlock] It's a rare challenge, both for the audience and an actor, to take part in something with this level of intelligence and wit. You have to really enjoy it. It's a form of mental and physical gymnastics.

It's a constant challenge to get your arrangement and musical expression across to a new audience, especially when you're playing live every night like we are.

I'm always aware of the camera and it feels like that's the audience.

They were stars on this stage, each playing to an audience of two: the passion of their pretense created the actuality. Here, finally, was the quintessence of self-expression-- yet it was probable that for the most part their love expressed Gloria rather than Anthony. He felt often like a scarecly tolerated guest at a party she was giving.

Why can't black women on stage tell stories that can affect white men in the audience?

I've been at this for 40 years. And, as an academic, I've been content with relatively small audiences, with the thought that the audience I long for will find its way eventually to what I have written, provided that what I have written is good enough.

Theatre for a New Audience is one of America's most admirable and exciting theatre companites...some of the best acted and directed work to be found on American stages, engaging with the canon of world dramatic literature in a vigorous way.

Neanderthal man listened to stories, if one may judge by the shape of his skull. The primitive audience was an audience of shock-heads, gaping around the camp-fire, fatigued with contending against the mammoth or wooly-rhinoceros, and only kept awake by suspense. What would happen next? The novelist droned on, and as soon as the audience guessed what happened next, they either fell asleep or killed him.

Hanging out with politicians and corporations is very unhip work. But I think that the U2 audience have turned out to be incredibly subtle in their understanding.

When I sing, I feel like when you're first in love. It's more than sex. It's that point two people can get to they call love, when you really touch someone for the first time, but it's gigantic, multiplied by the whole audience. I feel chills.

What I wanted to do was to get that sense of being in touch with this lost world while holding onto what draws readers and audiences there in the first place.

The idea of making audiences feel like they matter, that the theatre matters, and that they're a partner in the event—that's what fuels me as a director . . . I believe it's actually radical to think about the audience.

In a live performance, it's a collaboration with the audience; you ride the ebb and flow of the crowd's energy. On television, you don't have that.

You don't make a film because the audience is ready for it. You make a film because you have questions that are in your gut.

'Frankenstein' did not invent the fear of science; the novel found its audience because it dramatized anxieties that already existed. Although popular entertainment can, over the long run, shape public perceptions, it becomes popular in the first place only if it addresses preexisting hopes, fears, and fascinations.

I love being onstage. I love the relationship with the audience. I love the letting go, the sense of discovery, the improvising.

Onstage, you just have to tell the absolute truth about the character you are playing. You hope you communicate it, and you hope it comes back like a tennis ball. If you're listening to the sound of your own voice, nobody else is. The audience knows, and they freeze on you.

I'm just glad that I'm the musical equivalent of a character actress, because blues singers can keep singing and having an audience at 35, and someone like Madonna's gonna have to find something else to do, 'cos I don't care how pointy those bras are that she wears, they're still gonna look a little odd when she's 55!

I feel like in telling stories, there are the things the audience thinks are important, and then there are the things that are actually important.