If there's magic in boxing, it's the magic of fighting battles beyond endurance, beyond cracked ribs, ruptured kidneys and detached retinas. It's the magic of risking everything for a dream that nobody sees but you.
Paul HaggisRead
You don't make a film because the audience is ready for it. You make a film because you have questions that are in your gut.
Interpretation
The quote emphasizes the importance of personal passion and inquiry in filmmaking over audience expectations.
Paul Haggis highlights the creative process in filmmaking, suggesting that the true motivation for creating a film should stem from the filmmaker's own questions and instincts rather than merely catering to what they believe the audience desires. It speaks to the idea that authentic art is born from personal exploration and curiosity.
In practice
In a film school class, a professor might use this quote to inspire students to follow their creative instincts.
If there's magic in boxing, it's the magic of fighting battles beyond endurance, beyond cracked ribs, ruptured kidneys and detached retinas. It's the magic of risking everything for a dream that nobody sees but you.
Film is an emotional medium; it's not a logical medium. It's not an intellectual medium, so every decision you make as a filmmaker and an actor has to be emotional in some way, even in the rejection of logic.
If I'm going to be anything more than average, if anyone is going to remember me, then I need to go further, in art, in life, in everything!
Though people may read more into Ulysses than I ever intended, who is to say that they are wrong: do any of us know what we are creating?Which of us can control our scribblings? They are the script of one's personality like your voice or your walk
A dancer, if she is great, can give to the people something that they can carry with them forever. They can never forget it, and it has changed them, though they may never know it.
You can watch someone on-stage cry and cry - but in the audience you feel nothing. It's easy to become indulgent. For me, what's important is the story first.
I write to create red in a world that often appears black and white.
We encourage our people to build their ideas from scratch, and we give them the resources - and, crucially, the candid feedback - that are required to transform the first wisps of a story into a truly compelling film.
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