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After 'Life Unexpected' ended, I wanted to do something that was completely different from Lux and that show. I wanted to be able to keep my fans, but not have them confused about who I was or what my character was.
I wasn't perfect and didn't have it together. I felt alone. So through acting, I decided to be a shape shifter and with every role become the character instead of being myself. It meant about 10 years of no one knowing I was the same person in every movie.
Any movie I've done, my character has had a secret. Whether it's in the movie or not, it is usually never and it's usually not something I tell anybody. It is for me.
I did 125 films, and over 100 television shows, and you've never seen the same character twice.
The interesting part of the process is developing the character, you know, why did he become that? Why is the guy a murderer, or why is this guy a pervert, or whatever he is. So that's the fun part for me to delve into the abyss.
I'm a character actor, so I don't take the hit if the movie's bad, the lead does. So, I don't want to be the lead. He takes the hit, I don't.
If I was to pick a cartoon character I am most like, I would say Daisy Duck because she is very stubborn, she has a very feminine sense, and she knows what she likes.
The most emotionally connected I've ever been to a character is Natsuki in 'Summer Wars.'
One of the great pleasures of acting is surrendering to someone else's point of view of the world - living inside a character and a story that never would have come out of your mind or heart.
With the wacky jokes that we do on 'Great News,' you do overall still want to be coming from a place of truth with your character because, otherwise, it's just off the walls.
It's fun playing a more feminine part. I can identify more with a woman of passion and emotion than with a cartoon character. Who knows what a cartoon feels?
The cool thing about doing a voice-over into a different language is that you get to bring the character of your own culture into it.
I really like 'This Side of Paradise' by F. Scott Fitzgerald. I think it's a cool description of a character.
I don't care about my character here on earth. I don't care about what other people think or say about me, all I care about is my standing before the Lord.
A lot of illustrators have one central character and then they develop it, and all their books are based around it. But that was not my wish. I wanted to introduce children to the whole creative side of many aspects of life.
It helps to write as the character that I am trying to be, and try to journal every day as them. Once I've already recorded thoughts as this person, it's easier to just flip back through and be like, 'Oh, yeah, this is what she's thinking; this is what she's feeling.'
Playing a Black trans character on a TV show is a story that needs to be told.
That's something I really like about 'Lone Star,' is that they allow my character to just be who he is, while also at other times exploring his trans experience and giving room for that as well.
The ability to stretch my range into all genres and characters is something I take great pleasure in doing. I thoroughly enjoy it. I consider myself a character actor, though some think of me as a leading man. As an actor, I love shifting gears from character to character, and the more range I can expand, the better.
Usually, I don't feel comfortable with a character until I've played him before an audience for several performances. It is not until after three months of performing that I learn to discover what I call 'all the nooks and crannies' of the person.
With 'Hannibal,' it's almost like the music is part of the furniture, so as a character goes from one room to another room, or we go from one place to another or whatever, the music is just going with it the whole time the same way that the audience is sort of tracking it and following along.
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