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Playing a Black trans character on a TV show is a story that needs to be told.
That's something I really like about 'Lone Star,' is that they allow my character to just be who he is, while also at other times exploring his trans experience and giving room for that as well.
The ability to stretch my range into all genres and characters is something I take great pleasure in doing. I thoroughly enjoy it. I consider myself a character actor, though some think of me as a leading man. As an actor, I love shifting gears from character to character, and the more range I can expand, the better.
Usually, I don't feel comfortable with a character until I've played him before an audience for several performances. It is not until after three months of performing that I learn to discover what I call 'all the nooks and crannies' of the person.
With 'Hannibal,' it's almost like the music is part of the furniture, so as a character goes from one room to another room, or we go from one place to another or whatever, the music is just going with it the whole time the same way that the audience is sort of tracking it and following along.
To ground a character in reality, you have to use shades of gray.
'100 Bullets' is a novel on its own. 'Brother Lono,' other than the main character, has nothing to do with '100 Bullets.'
One of the reasons Batman works as a character is that it's not beyond possibility that he could exist - you could become Batman if you had a billion dollars at your disposal. There's nothing paranormal or superhuman or supernatural about that character. And I think his villains work the same way. You could be one of his villains just as easily.
Like, why is Batman so relevant? It's because he gets reinvented constantly. There are a lot of stories you can tell with that character.
If there's nothing interesting about a character, people leave because there's no desire to see what happens.
Many years ago, Bill Gates said that one day we'd be able to click on the shoes of a character in a TV show and buy them online. Whether that happens or not, are you thinking about new ways to combine your assets in programming, customer knowledge, and technology?
When I started acting, I made a conscious decision that I wanted to be a character read and not a leading man. I didn't want to do the same thing again and again. I wanted to push and challenge myself. I find and embrace new and unique challenges in all mediums.
I've dropped myself into straightforward character pieces in order to explore that form and reap its values. But you are sort of restricted visually when your first requirement is to tell a fairly straightforward story.
I think it's hard to differentiate between your wrestling character and your real character - you kind of end up being both. I've always been my wrestling character in and out of the ring and in and out of the dressing room, and I was always really respected in the dressing room by the other wrestlers.
I usually play a softer character.
'Character Doesn't Count' has become a de facto G.O.P. motto. 'Virtue Doesn't Matter' might be another. But character does count, and virtue does matter, and Trump's shortcomings prove it daily.
I was in 'UFC Undisputed 2,' but I was only a bonus character, so not everyone got to play as me.
In 'The Giver,' I play a character called Jonas who is a member of this community called Changeless. In this community, everyone is kept at bay emotionally and physically. They receive an injection every morning to control them from feeling things like love and pain and all natural emotions.
Comedy is all about the character. When you're too focused on the gags, the character suffers, and you don't get the laugh. Comedy has to come from the character.
To me, any character that is conflicted inside as well as outside of themselves is always a better role to play.
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