Quotes on Colour

... on these expanded membranes [butterfly wings] Nature writes, as on a tablet, the story of the modifications of species, so truly do all changes of the organisation register themselves thereon. Moreover, the same colour-patterns of the wings generally show, with great regularity, the degrees of blood-relationship of the species. As the laws of nature must be the same for all beings, the conclusions furnished by this group of insects must be applicable to the whole world.

We should like to have some towering geniuses, to reveal us to ourselves in colour and fire, but of course they would have to fit into the pattern of our society and be able to take orders from sound administrative types.

So long as you write what you wish to write, that is all that matters; and whether it matters for ages or only for hours, nobody can say. But to sacrifice a hair of the head of your vision, a shade of its colour, in deference to some Headmaster with a silver pot in his hand or to some professor with a measuring-rod up his sleeve, is the most abject treachery, and the sacrifice of wealth and chastity which used to be said to be the greatest of human disasters, a mere flea-bite in comparison.

There either is or is not, that’s the way things are. The colour of the day. The way it felt to be a child. The saltwater on your sunburnt legs. Sometimes the water is yellow, sometimes it’s red. But what colour it may be in memory, depends on the day. I’m not going to tell you the story the way it happened. I’m going to tell it the way I remember it.

For those colours which you wish to be beautiful, always first prepare a pure white ground.

At heart I've always been a music fan. That part of me has never changed since I was a little kid, sitting in a room watching a record go round, looking at the colour of the labels.

Evolution could so easily be disproved if just a single fossil turned up in the wrong date order. Evolution has passed this test with flying colours.

That day, I really believed that I had grasped something and that henceforth my life would be changed. But insights cannot be held for ever. Like water, the world ripples across you and for a while you take on its colours. Then it recedes, and leaves you face to face with the void you carry inside yourself, confronting that central inadequacy of soul which you must learn to rub shoulders with and to combat, and which, paradoxically, may be our surest impetus.

It's an awful truth that suffering can deepen us, give a greater lustre to our colours, a richer resonance to our words.

She is standing on my lids And her hair is in my hair She has the colour of my eye She has the body of my hand In my shade she is engulfed As a stone against the sky She will never close her eyes And she does not let me sleep And her dreams in the bright day Make the suns evaporate And me laugh cry and laugh Speak when I have nothing to say

You said, 'I'm going to leave him because my love for you makes any other life a lie.' I've hidden these words in the lining of my coat. I take them out like a jewel thief when no-one's watching. They haven't faded. Nothing about you has faded. You are still the colour of my blood. You are my blood. When I look in the mirror it's not my own face I see. Your body is twice. Once you once me. Can I be sure which is which?

About thirty years ago there was much talk that geologists ought only to observe and not theorise; and I well remember some one saying that at this rate a man might as well go into a gravel-pit and count the pebbles and describe the colours. How odd it is that anyone should not see that all observation must be for or against some view if it is to be of any service!

They'll sell you thousands of greens. Veronese green and emerald green and cadmium green and any sort of green you like; but that particular green, never.

Bright colours in the west, giant butterflies dancing as night crept like a cripple toward the east.

Pure drawing is an abstraction. Drawing and colour are not distinct, everything in nature is coloured.

Iconic clothing has been secularized. . . . A guardsman in a dress uniform is ostensibly an icon of aggression; his coat is red as the blood he hopes to shed. Seen on a coat-hanger, with no man inside it, the uniform loses all its blustering significance and, to the innocent eye seduced by decorative colour and tactile braid, it is as abstract in symbolic information as a parasol to an Eskimo. It becomes simply magnificent.

But the whole point of the Sixties was that you had to take people as they were. If you came in with us you left your class, and colour, and religion behind, that was what the Sixties was all about.

when the sky is as grey as this - impeccably grey, a denial, really of the very concept of colour - and the stooped millions lift their heads, it's hard to tell the air from the impurities in our human eyes, as if the sinking climbing paisley curlicues of grit were part of the element itself, rain, spores, tears, film, dirt. Perhaps, at such moments, the sky is no more then the sum of the dirt that lives in our human eyes.

We had to forge an alliance of strength based not on colour but on commitment to the total abolition of apartheid and oppression; we would seek allies, of whatever colour, as long as they were totally agreed on our liberation aims.

I still hear you humming, Mama. The colour of your song calls me home. The colour of your words saying, Let her be. She got a right to be different. She gonna stumble on herself one of these days. Just let the child be. And I be, Mama.

I know I can not paint a flower, I can not paint the sun on the desert on a bright summer morning but maybe in terms of paint colour I can convey to you my experience of the flower or the experience that makes the flower of significance to me at that particular time.