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I think serious situations actually make for the best kind of belly laughs. But they're also the hardest to convert into comedy at the outset.

I listened to this interview once with Jerry Seinfeld that really influenced my comedy and all of my writing, which is that when you're starting out in comedy, it's the audience that tells you what's funny about you. And you need to listen to that and make a note of that.

People come to my shows on purpose as opposed to coming to a 'comedy show.' Which was always my goal.

I feel like being a door person was like college in a sense. I could watch comedy on a professional level seven nights a week without paying, and they would pay me a nominal amount of money to be there.

Over the years, I managed to develop this comedy career, went from opening act to headliner at comedy clubs, to playing concert halls, and had an off-Broadway show with 'Sleepwalk With Me.'

The way I view comedy clubs is, people are drinking, they're ordering food, they're out for the night, and there's also a person onstage talking. And with the theater, they came to the theater, and they're waiting to hear what you say. So you'd better have something to say.

Comedy is tragedy plus time, but the time is different for everybody.

I've actually always wanted to write like a one-person show that was sort of a romantic comedy - a show that was kind of cynical about romance and marriage but ultimately embraced it. Because I feel like comedy is always cynical, inherently, because it's contrarian.

In some sense, Comedy Central has made their audience into comedy connoisseurs.

I was completely unqualified to get into Harvard. But then I went to my interview for Harvard, and the woman asked, 'Why do you want to go here?' And I took out all of my comedy writing samples that I had done. I couldn't have been more delusional in terms of what I thought they wanted in a candidate for college.

I drank the Kool-Aid of being a network star. Once it didn't happen, I realized it wasn't the best version of my comedy.

The ability to workshop in stand-up comedy is incomparable to any art form, in my opinion.

I think everything benefits from a little comedy. The worst thing to me is to see a great drama or a great thriller with no laughs.

I was one of the people that always got chosen last, and I think I bulked up my comedy bone to make up for my lack of friends.

Comedy, in my opinion, is best when it's in the gray, and you're kind of pushing people's thoughts that they sort of had but never vocalized. And I think a joke is not good if someone says something, and immediately people are clapping because they're like, 'Yes! That is how I feel as well!'

I'm so lucky that I found comedy and that I get to do it for a living.

Taking a night off from comedy to go on a date with someone I'm probably not going to like anyway sounds like the worst trade-off in my mind.

I always loved comedy, but in my mind, it wasn't a viable career option. I always thought, 'You go to college. You get a job, and then you pay off college.'

Before comedy, I worked at a tech company, and before that, I worked on Wall Street. And, honestly, I've never really been sexually harassed.

Some comedy has turned into, 'Donald Trump's bad, isn't he?' That's a true statement. But where is your joke?

I think Trump is terrible for comedy. A lot of people say he is great. He's not. You can't joke a joke.

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