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I get to do physical comedy! When do women get to do physical comedy? Very rarely.
I thought that I was going to be a stand-up comedian or an actress. Turns out, I can't act my way out of a paper bag and stand-up comedy is a lot harder than it appears.
I love the dark comedy in 'Breaking Bad.'
With comedy it's all about timing and presence on screen, as the words are there but you have to say them right and the right timing.
What's special with 'Corrie' is that they have the comedy element, women are funny as well - they might do the emotional stuff, they might do the drama, but they're really funny too.
In 'Seesaw,' I played Gittel Mosca, and because it was a musical, I loved it more because I was able to do anything. I was able to use all parts of me that I don't get to use... the comedy and the singing and the dancing.
I wrote a play at drama school, which was a dark comedy - people laughed and cried. And then my script of one of the shows was picked up by a comedy sketch company... so then I had to write comedy.
I don't believe in comedy as a TV genre - I think there's drama that is funny. Because beyond the laughs, there has to be cost, and there has to be heart.
In comedy, I often see so many weird race jokes, and it's like, there is no racial diversity in your show to even make those race jokes. The problem is that there is no one in the back to say, 'Hey, that race joke is not really appropriate.'
Comedy in the past hasn't spoken to women because it wasn't written by women, and male writers don't make women three-dimensional characters. Too often, women just facilitate the man's comedy: they're not crazy; they're not funny. But women are as vulgar as they are elegant, as stinky as they are smelling of eau de parfum.
You really have no idea whether or not what you're writing is funny. In stand-up and sketch comedy, you know right away and you can make your changes accordingly.
For storytelling purposes, there has to be conflict, but that doesn't mean the people have to be mean. I've never liked mean-spirited comedy.
I believe in the importance of sincerity and emotion and honesty in TV, even when it's goofy comedy.
All of comedy at some level is trial-and-error, whether it's a stand-up trying out jokes or a comedy show trying stories.
I wouldn't say I have comedy chops. I guess you get lucky with good writing because I don't think I'm a comedian by any stretch of the imagination.
I'm just an actor. If it's drama, I add as much humour as the part will stand. And if it's a comedy, add as much drama as you can, so it balances out; you don't wanna be too serious.
As a kid, I saw a lot of scary movies, but they were mixed with comedy, like 'Abbott and Costello Meet Frankenstein.'
Being a comedy writer gives you permission to be an outsider and poke fun at what people think about other people.
Before I went into comedy I was a loner, very much wrapped up in my own thoughts. But I always liked myself and the way I thought.
A responsive crowd is great - they help you see new things in your comedy.
Stand-up comedy is what I do, and it's so rewarding. If you write a joke and tell it to an audience of 15,000 people who laugh their heads off at it, it's the best feeling in the world.
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