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I love good comedy. I don't like bad comedy.
As an actor, I'm not sure what I had to offer the world of tragedy and comedy when I was 21. I hadn't lived a whole lot. By my middle 30s, you know, I had been knocked around a little bit.
I was like the funny guy in sixth form. When we used to do showcases, I'd host them, and I would do, like, little comedy segments.
In all my content I don't really swear or use profanity, because I believe comedy can just be pure.
I'm very observational in my comedy and what I create with the characters that I'm blessed to play. I don't believe comedy needs to be offensive, and I don't believe it needs to be a mockery of anything.
I always feel like you don't do comedy for the special - you do the specials so you can do comedy. That's like a commercial for people to come out and support the new shows.
I'm lucky enough to have two different platforms to perform on - I do stand-up comedy, and I have 'SNL.' That's where I make my most controversial statements because I can explain myself and I'm in control of the microphone, as opposed to Twitter, where it's in the hands of the reader.
In comedy, you work with people so often that they just become familiar faces - it's like a fraternity.
Live comedy is fantastic. It's when live comedy is transcribed and reported and critiqued outside of the venue without context that things become complicated.
When you're doing comedy constantly, you're organized: you know where everything is, you know how to get out of it, you know how to stretch it. But, like, doing 'SNL,' I stopped doing spots, and then I would finally do some sets - it take me so long to, kind of, get in the rhythm of it.
Comedy is subjective.
Cartoon violence is something very vivid and dark but made palatable for children in a fun way. That's the kind of comedy I do - I try to take subjects that might seem deep and make them as silly as possible.
I feel like comedy is only respected on the highest level, and on every other level, it's like a joke, like, 'Ugh - comedian,' you know?
I can't speak for every American comic, but for me, a great show is its own reward. Comedy is too subjective for awards.
If I could work with Eddie Murphy on 'SNL,' I think I could quit comedy forever. For me and my generation, he's God.
I don't know how you can do comedy once every two weeks. Ever since I started, if I'm off for three days, I got to learn how to do comedy again.
Growing up, I loved magic, I loved acting, I loved comedy. I really didn't know what direction I was going. I was trying a whole bunch of stuff.
A lot of times, comedy writers will go for the gay joke, and I've been vocal about saying, 'Go for the smart joke.'
I grew up on Abdul Halim Hafez and Esmail Yassine, a great comedic actor. I think Adel Imam also changed and revolutionised the game and comedy in Egypt.
I think comedy is where I feel very silly, confident, and really can't expose too much of my sensitive side.
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