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I think comedy is a place where we can work on connecting more as people. That's what I really like about doing stand-up, especially vulnerable emotional bits, where I talk about my insecurities or what makes me sad. I feel like that helps. I feel like on that level, it's nice to connect with people.
Comedy to me is all about the bumps and bruises and weird tics.
There is some brilliant pop music and some very poor classical music. And why shouldn't comedy be treated as seriously as drama?
I've tried to create a comedy that doesn't look like any other comedy. Maybe traditionally in TV there has been a kind of formula that says, 'Oh, comedy has to look this way; it has to look super bright.' But the way we shoot 'Insecure' is motivated by the mental state of each of our characters.
I never really saw myself as a comedy director, and I still don't. I see myself as a director.
I got a young black woman agent, and she kinda just knew what I would be attracted to. She sent me this pilot for 'Insecure.' I never saw myself as a comedy director, but when I read those pages, I said, 'Wow - this is my life on the page.'
I think comedy is so specific, so hard. I'd audition for comedies and think, 'I can't pull this off.'
I used comedy to deflect a lot of situations; if you make someone laugh, they don't want to punch you in the face.
I can't imagine not playing Wynonna, because I get to play so many different things. In any given episode, I get drama and comedy and horror and all the notes of life, and very few shows or movies give you that opportunity.
I love acting, I really do, I've always loved doing it, and it's a joy to be asked to do this. I mean, to do Beatrice, for God's sake, it is the best comedy Shakespeare role for a woman, and to be asked to do it.
Just keep making comedy. Make it all the time whether it's your job or not. Consider it like you are already working or in the middle of your career.
For comedy reasons, any place we can have really big egos and very high stakes is a great thing to go for.
I'm becoming more and more confident and am falling more and more in love with the whole world of comedy, and I think that's something that I really want to explore a lot more.
The first time I performed at the Comedy Store in Los Angeles, I was in the back of the room doing vocal exercises. 'Me-me-me, my-my-my, mo-mo-mo.' And I'm looking around, and no one else is doing it. I'm like, 'They must have done it before they came to the club.' I came to realize that I was an idiot.
As the weeks went on, I realized there was an important role comedy would play in healing the tragedies of September 11. Comedy can help people cope, and many people were coming to the clubs to laugh out the stress.
Trump is good for comedy but bad for the world.
I am a standup comedian who has performed comedy in the Middle East in front of thousands of Muslims. And believe it or not, they laughed at plenty, especially when we poked fun at local culture. The Lebanese loved it when you would make fun of their driving and how, in Lebanon, a red light is just a suggestion to stop.
Comedy comes from tragedy, and being Iranian in America from 1979 on had been quite tragic. In stand-up comedy, I was able to take the reality and exaggerate it.
I think comedy is a good way to help people change their minds. I think that if you're laughing and getting a message across, it's a lot easier than when somebody is screaming in your face.
One of the jobs of comedy is to expose hypocrisy. When you look at countries like Iran or North Korea that don't have freedom of speech, we who do should push it as far as we need to.
You know how hard it's been to write material? Because to do stand-up comedy, it takes time for the material to develop. So you'll come up with a joke, you'll tweak it, you'll work it for six months, you really fine tune it, and now you've got a good bit. Well, with Trump, every day there's something new coming out.
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