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I have, for a few years, been writing comedy prose - short pieces for my blog - because I found it to be a good way to write while I was on a TV show. It was different enough from my scripts that it felt like a break, but it still was comedy and very fun. I like to do comedy!
I think writing in a group, even though it can be a challenge - you have to be on your toes all the time - is the way the best comedy gets written. It's very, very collaborative. A lot of comedy writers are definitely introverted nerds.
As a comedian, Trump is comedy gold, and he almost makes my job too easy... the stuff that comes out of his mouth is a precious commodity.
See, I'm totally fearless. I got my chops in the most, like, dangerous comedy atmosphere. If you can make it in New York, you can really do stand-up anywhere.
Comedy is free therapy. And if it's done well, the audience and the comic take turns being the doctor as well as the patient.
My friend and I founded the New York Arab-American Comedy Festival to counter the negative images of Arabs in media. And we always made sure that the comedy came first. So we weren't a bunch of Arabs trying to be funny. We were a bunch of comedians who just happened to be of Arab heritage.
I like comedy as a group sport.
I've never done an actual Western, and I would love to do that. I've done drama and dark comedy stuff. I've never really done a romantic comedy either. I would do that.
I take my fun very seriously, whether it's playing the drums or acting in comedy bits. The need to be disciplined about it, and not take it lightly, and not be too casual, is something I take deeply to heart.
I hate to give myself credit for anything, but I will say I really enjoy, as an actor, and especially with comedy stuff, playing with different rhythms and with different ways around a joke. There's always an obvious route, and there's one that maybe is a little bit different.
We're taking part in a divine comedy and we should realise that the play is always a comedy, in that we're all ultimately ridiculous.
I'm full of ideas and general crackling chemistry and I can read the 'score' of a comedy as though it's a musical score.
I'm at my best when I'm at my funniest and most observational comedy is topical. But anything forced, it stings or reads as insincere.
I see comedy and music as the two most similar artforms. They both take something big and true and convey it simply and effectively.
Even in comedy, I'm always the straight guy, which is okay because that's a skill. But it would be nice to get out of that box.
Women always think that I'm Chandler, so if I don't joke around for half an hour, they think that something's wrong. Then I explain that I don't have comedy writers scripting everything I'm saying at this particular dinner.
If you want to reach any kind of poignancy or meaning a lot of times, coming from comedy is the best way to get there.
I would love to do a comedy spoof, like a Spinal Tap kind of thing.
The comedy on '2 Broke Girls' always comes from a place of love - it's never mean. We're a comedy, and we often go right to the edge. It doesn't bother me. I've encountered this all my life. I've been made fun of all my life.
With all comedy, you try to ground it in credibility and reality.
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