Drag is a chicken suit, and you're very emboldened. Whatever you do or say or fail at or succeed at is attributed to your costume and not you as a person. So there's a lot of freedom.
Katya ZamolodchikovaRead
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Drag is a chicken suit, and you're very emboldened. Whatever you do or say or fail at or succeed at is attributed to your costume and not you as a person. So there's a lot of freedom.
The great thing about performance capture is you can go off, and then, without changing costume, you can become another character.
Couture has copied my things for years, in addition to countless other costume designers, claiming theirs were the original ideas. It's all part of the business, unfortunately.
I work for ABC. If the thing that ABC is paying me for is storytelling - not to make sure that a costume is exactly right or all those other things - then it is up to me to find the most creative space possible so that that function of my job can happen.
People always seem to assume that we have a full, back-up support team - make-up, costume and a driver - but usually, in a war zone, there's only me and the cameraman.
Burlesque girls were alchemists. They were steel-tough performers who were willing to use kitchens as dressing rooms, haul their costume bags through the snow, and go into debt over fake diamonds, all for the five minutes onstage when they were goddesses.
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