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I recently read an article on how I was dropped from a film because I couldn't dance! It was so ridiculous that I decided to shut up about it. Let people say what they want to. It's such a waste of time.

One thing I am sure of is that I won't judge a dance reality show.

I never really thought about pursuing singing because my whole life was about dance and singing just kind of came with it.

I was on Kanye's Yeezus tour as a dancer, but really, I was a Vanessa Beecroft model. I was one of the three 'dancers' who couldn't dance and was more of an accessory than an individual. Vanessa was pretty involved. Her style is about a lot of standing. It's very simple but haunting.

I'm always interested in linking dance to mundane behavior that everyone can relate to.

I'm not a very good dancer. My feet don't point far enough; my extension is embarrassing. Dance, for me, has been hard because it's a strive for perfection.

Balanchine was just able to strike the balance between literal narrative and abstract dance.

To me, dance and ballet are not so accessible.

My mother took me to every kind of dance instructor.

I did a dance with Fred Astaire in the movie 'Bandwagon.' I got to waltz just from left of camera to right of camera, and I'm taller than Fred Astaire. Fortunately, I was wearing a long skirt, so I waltzed with bended knees.

My parents were strict with school, strict with grades. I had piano classes, horseback riding, dance.

When I'm making songs, I never call them hits. I knew 'Bandz A Make Her Dance' was a good record, but I never knew it was gonna be a hit.

Dance is not endangered - it will always find a way to express itself.

The world is full of ways for people to dance. Concert dance doesn't get its due.

As long as there are dancers around who love to dance, there will be an Alvin Ailey American Dance Company. We miss him so much, but he's alive as soon as you see a dancer hit the stage.

The way Alvin Ailey has transformed modern dance and dance in general is the fact of variety. It's a cornucopia of ways to move. There are choreographers in the company as - as diverse, as different from each other as Donald McKayle and Bill T. Jones, or Jawole Zollar and John Butler, Lar Lubovitch, you know, and Judith Jamison.

Concert dance is the hardest kind of dance. We tour constantly, around the world, year in and year out. It just doesn't work for everybody. It's the lifestyle, it's the stamina, it's the love, it's the dedication, it's the commitment, it's all those words.

You have to dance unencumbered. There's no other way to move. The idea of dance is freedom. It is not exclusiveness, it's inclusiveness.

Sometimes I have a very fleeting emotional dance with a fleeting phrase, like 'half-Mexican.'

Dance, to me, is an expression of who we are.

I'm 24, so I'll go out and, yeah, have a few drinks and dance - I love to dance - and have a good time, but I like to do other things, too. I like going to the beach and reading and hiking.

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