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Everybody laughed at me when I said I wanted to make a dance video, but when I said, 'What would it look like if Joe Strummer made a dance video?' everybody shut up.

I'm a huge Kentucky fan. So when there was a chance to do the John Wall dance, I went into character.

I fell in love with art and music and dance and acting and how all those things can cultivate something really special and unique - depending on the performance and the show. That really kind of helped me develop my love of theater.

The 'I Wanna Dance' hook actually came to me when I was in bed and just in that lucid moment between consciousness and sleep... I jumped out of bed and recorded a voice note of the vocal hook and I went into the studio the next day fully inspired.

As much my music is dance music, it is also pop.

That's the whole part about being a deejay: You've got to make sure you are prepared. At the end of the day, you do have your genre - house music, dance music - but there are many different ways of playing that.

The focus is on melody: If you get it right, and it connects to the mass audience, it doesn't matter if it's a studio album or played on the dance floor.

One of my sisters was doing dance, and I'd watch from the back of the classroom in my trainers. Slowly, I started integrating myself into the fraught south Oxford ballet culture.

I'd never really shot action scenes before, but I realized early on that is very much like shooting choreography and dance.

You gotta have a good beat to survive in modern country in general. Everyone wants to feel good, laugh, dance, and cry. But at the same time, they all want it to sound happy.

When I was growing up, Asians weren't known for dancing. I knew all my older aunts and uncles did, like, ballroom dancing and stuff. And then you saw all those dance crews, like Quest and Jabbawockeez, and now they're, like, known for dance.

Everyone who shoots dance sequences does it in a different way. Everyone who shoots fight sequences does it in a different way.

Once you see dance as a weapon - and everyone has a different weapon - it makes dance really interesting.

Originally, 'The Monster' started out as this indie, Florence And The Machine, tribal-y, almost Spanish-esque dance record.

Literally, 'Dance Moms' was so amazing, and I have the world to thank for that. They were so awesome - the set, the cast, the crew - it was amazing.

By the time I left 'Dance Moms,' I'd made so many friendships.

'Dance Moms' was one of the best experiences I've ever had in my life!

The first thing I remember hearing was just the dance music that was in the charts when I was growing up. I don't remember many of the names of specific tracks - they were just kind of early acid house things.

Years of drought and famine come and years of flood and famine come, and the climate is not changed with dance, libation or prayer.

My dance skills are reliant on me being a bit pickled in a nightclub, if I try to do a dance move sober it doesn't go very well, but I used to do ballet and tap so I have to be shown what do, so if I watch things I pick things up quite quickly.

I grew up walking out with no music. I wish I had the bottle to dance on but I can't dance.

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