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One of my sisters was doing dance, and I'd watch from the back of the classroom in my trainers. Slowly, I started integrating myself into the fraught south Oxford ballet culture.

I'd never really shot action scenes before, but I realized early on that is very much like shooting choreography and dance.

You gotta have a good beat to survive in modern country in general. Everyone wants to feel good, laugh, dance, and cry. But at the same time, they all want it to sound happy.

When I was growing up, Asians weren't known for dancing. I knew all my older aunts and uncles did, like, ballroom dancing and stuff. And then you saw all those dance crews, like Quest and Jabbawockeez, and now they're, like, known for dance.

Everyone who shoots dance sequences does it in a different way. Everyone who shoots fight sequences does it in a different way.

Once you see dance as a weapon - and everyone has a different weapon - it makes dance really interesting.

Originally, 'The Monster' started out as this indie, Florence And The Machine, tribal-y, almost Spanish-esque dance record.

Literally, 'Dance Moms' was so amazing, and I have the world to thank for that. They were so awesome - the set, the cast, the crew - it was amazing.

By the time I left 'Dance Moms,' I'd made so many friendships.

'Dance Moms' was one of the best experiences I've ever had in my life!

The first thing I remember hearing was just the dance music that was in the charts when I was growing up. I don't remember many of the names of specific tracks - they were just kind of early acid house things.

Years of drought and famine come and years of flood and famine come, and the climate is not changed with dance, libation or prayer.

My dance skills are reliant on me being a bit pickled in a nightclub, if I try to do a dance move sober it doesn't go very well, but I used to do ballet and tap so I have to be shown what do, so if I watch things I pick things up quite quickly.

I grew up walking out with no music. I wish I had the bottle to dance on but I can't dance.

'The Asylum Dance' was written after I'd moved back to Scotland and was a response to moving to my old home area of Fife.

Mother had taught me dance steps from the time I was 3, and we were always singing and dancing around the kitchen table.

I'm not just Joey. I'm a performer. I can sing, dance and I can act.

Maybe it's psychosomatic, but I think if I eat well, I'll sing or dance well.

I'm very interested in dance, and I'm very interested in how people express themselves through movement. And of course, cinema is a kinetic art form. It's almost the point of cinema - it's time-based and movement-based.

I was a reporter for Gannett and the 'N.Y. Daily News' covering Gov. Mario Cuomo's dance with presidential races in both 1988 and 1991.

If there's a crowd, you feel their support, feed off their energy and it helps you put everything into the dance.

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