It wasn't just about doing tricks. It's about taking an audience to another place, a special place, so they can really suspend their disbelief. Its about amazing the audience as well as moving them.
David CopperfieldRead
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It wasn't just about doing tricks. It's about taking an audience to another place, a special place, so they can really suspend their disbelief. Its about amazing the audience as well as moving them.
Disbelief in futurity loosens in a great measure the ties of morality, and may be for that reason pernicious to the peace of civil society.
If Im feeling outraged, grief, disbelief, frustration, sympathy, that gets channeled through me and into my pictures and hopefully transmitted to the viewer.
In drama, I think, the audience is a willing participant. It's suspending a certain kind of disbelief to try to get something out of a story.
Self-belief does not necessarily ensure success, but self-disbelief assuredly spawns failure.
What really happens is that the story-maker proves a successful 'sub-creator'. He makes a Secondary World which your mind can enter. Inside it, what he relates is 'true': it accords with the laws of that world. You therefore believe it, while you are, as it were, inside. The moment disbelief arises, the spell is broken; the magic, or rather art, has failed. You are then out in the Primary World again, looking at the little abortive Secondary World from outside.
That willing suspension of disbelief for the moment, which constitutes poetic faith.
I've lost all capacity for disbelief. I'm not sure that I could even rise to a little gentle scepticism.
The look of disbelief that ran across the boy's face was somehow more disturbing than the despair it had replaced. This creature had given up hope long ago; he probably begged out of habit rather than expectation.
Let me begin now, this very night, to emulate Christ. Cast off forever will be the old self and with it defeat, despair, doubt, and disbelief. To a newness of life I come--a life of faith, hope courage, and joy. No task looms too large; no responsibility too heavy; no duty is a burden. All things become possible.
But whether I become a believer or remain an agnostic, my belief or disbelief must derive its source from within, not from without. I, myself, must create its symbols. The transcendental is that which produces its own form. I will never discover its secret if I do not find it in my own heart; if I do not possess it already I shall never be able to acquire it.
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