You either have commercial pressure or ideological pressure. I prefer commercial pressure; otherwise, you can be at the mercy of one or two idiots.
Milos FormanRead
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You either have commercial pressure or ideological pressure. I prefer commercial pressure; otherwise, you can be at the mercy of one or two idiots.
Either one lives 'for' politics or one lives 'off' politics.
Painting is not for me either decorative amusement, or the plastic invention of felt reality; it must be every time: invention, discovery, revelation.
For too long, history has imposed a binary condition on its black citizens: either nameless or renowned, menial or exceptional, passive recipients of the forces of history or superheroes who acquire mythic status not just because of their deeds but because of their scarcity.
We spend all our time teaching reading and writing. We spend absolutely no time at all, in most schools, teaching either speaking or, more importantly still, listening.
Sometimes I - with comedy, it's like someone liking you in high school. They either do, or they don't. And when they don't, they don't. And that's it. There are no appeals. You show up, and you're like, 'Hi! I'm -' and you stumble, and they're like, 'It's over.'
We are second-hand people. We have lived on what we have been told, either guided by our inclinations, our tendencies, or compelled to accept by circumstances and environment. We are the result of all kinds of influences, and there is nothing new in us, nothing that we have discovered for ourselves: nothing original, pristine, clear.
That's what art is for me. It helps you maintain hope by giving you the ability to either create outside your reality, or to describe your reality.
Well-designed subsidies help the poor make the best of whatever opportunities they have; poorly designed ones either do very little or actually make things worse for them.
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