Maniacal suicide. —This is due to hallucinations or delirious conceptions. The patient kills himself to escape from an imaginary danger or disgrace, or to obey a mysterious order from on high, etc.
Emile DurkheimRead
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Maniacal suicide. —This is due to hallucinations or delirious conceptions. The patient kills himself to escape from an imaginary danger or disgrace, or to obey a mysterious order from on high, etc.
All this twaddle, the existence of God, atheism, determinism, liberation, societies, death, etc., are pieces of a chess game called language, and they are amusing only if one does not preoccupy oneself with 'winning or losing this game of chess.
Notice how many of the Olympic athletes effusively thanked their mothers for their success? “She drove me to my practice at four in the morning,” etc. Writing is not figure skating or skiing. Your mother will not make you a writer. My advice to any young person who wants to write is: leave home.
Because one does not want to be disturbed, to be made uncertain, he establishes a pattern of conduct, of thought, a pattern of relationships to man. He then becomes a slave to the pattern and takes the pattern to be the real thing.
The Divine was beyond description, beyond knowing, beyond comprehension. To say that the Divine was Creation divided by Destruction was as close as one could come to definition. But the puny of soul, the dull of wit, weren't content with that. They wanted to hang a face on the Divine. They went so far as to attribute petty human emotions - anger, jealousy, etc - to it, not stopping to realize that if God were a being, even a supreme being, our prayers would have bored him to death long ago.
The less you eat, drink and read books; the less you go to the theatre, the dance hall, the public house; the less you think, love, theorize, sing, paint, fence, etc., the more you save-the greater becomes your treasure which neither moths nor dust will devour-your capital. The less you are, the more you have; the less you express your own life, the greater is your alienated life-the greater is the store of your estranged being.
I know all about the despair of overcoming chronic temptation. It is not serious, provided self-offended petulance, annoyance at breaking records, impatience, etc., don't get the upper hand. No amount of falls will really undo us if we keep picking ourselves up each time...The only fatal thing is to lose one's temper and give up.
In individual industries where female labour pays an important role, any movement advocating better wages, shorter working hours, etc., would not be doomed from the start because of the attitude of those women workers who are not organized.
I have no fear of making changes, destroying the image, etc., because the painting has a life of its own.
It's really a pity that there are observers who view political events like comic strips. There has to be a Zorro, there has to be a star. No, the problem of Upper Volta is more serious than that. It was a grave mistake to have looked for a man, a star, at all costs, to the point of creating one, that is, to the point of attributing the ownership of the event to captain Sankara, who must have been the brains, etc.
The seventeenth century is everywhere a time in which the state's power over everything individual increases, whether that power be in absolutist hands or may be considered the result of a contract, etc. People begin to dispute the sacred right of the individual ruler or authority without being aware that at the same time they are playing into the hands of a colossal state power.
My suggestion is that at each state the proper order of operation of the mind requires an overall grasp of what is generally known, not only in formal logical, mathematical terms, but also intuitively, in images, feelings, poetic usage of language, etc.
There's always someone asking you to underline one piece of yourself - whether it's Black, woman, mother, dyke, teacher, etc. - because that's the piece that they need to key in to. They want to dismiss everything else.
In general-like not just in fiction but in life-it doesn't work out well when someone imagines someone else as a manic pixie dream girl or an Edward Cullen or anything other than a full, complex human being. That said, while I've tried to reflect that in my books, I don't think I've always succeeded, because I am always running up against my own insufficiencies and biases etc.
The greatest hazard of all, losing one’s self, can occur very quietly in the world, as if it were nothing at all. No other loss can occur so quietly; any other loss - an arm, a leg, five dollars, a wife, etc. - is sure to be noticed.
AI has been making tremendous progress in machine translation, self-driving cars, etc. Basically, all the progress I see is in specialised intelligence. It might be hundreds or thousands of years or, if there is an unexpected breakthrough, decades.
An argument is made that there are just too many question marks about the near future; wouldn't it be better to wait until things clear up a bit? You know the prose: "Maintain buying reserves until current uncertainties are resolved," etc. Before reaching for that crutch, face up to two unpleasant facts: The future is never clear and you pay a very high price for a cheery consensus. Uncertainty actually is the friend of the buyer of long-term values.
They mustn't know my despair, I can't let them see the wounds which they have caused, I couldn't bear their sympathy and their kind-hearted jokes, it would only make me want to scream all the more. If I talk, everyone thinks I'm showing off; when I'm silent they think I'm ridiculous; rude if I answer, sly if I get a good idea, lazy if I'm tired, selfish if I eat a mouthful more than I should, stupid, cowardly, crafty, etc. etc.
Do you realize that people don't know how to read Kafka simply because they want to decipher him? Instead of letting themselves be carried away by his unequaled imagination, they look for allegories - and come up with nothing but clichés: life is absurd (or it is not absurd), God is beyond reach (or within reach), etc. You can understand nothing about art, particularly modern art, if you do not understand that imagination is a value in itself.
Writing is both bomb and bomb disposal-a necessary shattering of cliche and assumption, and a powerful defusing of the soul-destroying messages of modern life (that nothing matters, nothing changes, money is everything, etc). Writing is a state of being as well as an act of doing.
Work a great deal at evening effects, lamplight, candlelight, etc. The intriguing thing is not to show the source of the light but the effect of the lighting.
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