Drawing is the artist's most direct and spontaneous expression, a species of writing: it reveals, better than does painting, his true personality.
Edgar DegasRead
Work a great deal at evening effects, lamplight, candlelight, etc. The intriguing thing is not to show the source of the light but the effect of the lighting.
Interpretation
Focus on how light influences the atmosphere rather than its source.
Edgar Degas emphasizes the importance of capturing the effects of light in art, particularly during evening hours. Rather than merely displaying the light source, artists should strive to convey how light transforms a scene and creates mood, inviting viewers to appreciate the subtleties of illumination and atmosphere in their work.
In practice
An artist discussing their painting process in a gallery setting.
Drawing is the artist's most direct and spontaneous expression, a species of writing: it reveals, better than does painting, his true personality.
No art is less spontaneous than mine. What I do is the result of reflection and the study of the great masters.
Everyone has talent at twenty-five. The difficulty is to have it at fifty.
It is all very well to copy what one sees, but it is far better to draw what one now only sees in one's memory. That is a transformation in which imagination collaborates with memory.
The Dance instills in you something that sets you apart. Something heroic and remote.
You have to have a high conception, not of what you are doing, but of what you may do one day: without that, there's no point in working.
What surprises me most in architecture, as in other techniques, is that a project has one life in its built state but another in its written or drawn state.
The Theatre of the Oppressed is theatre in this most archaic application of the word. In this usage, all human beings are Actors (they act!) and Spectators (they observe!).
There are not more than five musical notes, yet the combinations of these five give rise to more melodies than can ever be heard.
Any film that supports the idea that things can be changed is a great film in my eyes.
One should really use the camera as though tomorrow you'd be stricken blind.
Say it, no ideas but in things - nothing but the blank faces of the houses and cylindrical trees bent, forked by preconception and accident - split, furrowed, creased, mottled, stained - secret - into the body of the light!
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