Quotes on Figures

Expression for me does not reside in passions glowing in a human face or manifested by violent movement. The entire arrangement of my picture is expressive; the place occupied by my figures, the empty space around them, the proportions, everything has its share.

Sometimes just to paint a head you have to give up the whole figure. To paint a leaf, you have to sacrifice the whole landscape. It might seem like you're limiting yourself at first, but after a while you realize that having a quarter of an inch of something you have a better chance of holding on to a certain feeling of the universe than if you pretended to be doing the whole sky.

I was making big paintings with mythological themes. When I started painting black figures, the white professors were relieved, and the black students were like, 'She's on our side.' These are the kinds of issues that a white male artist just doesn't have to deal with.

I think this..."perfectionist gene" that too many young women have holds them back, and instead they should be really aiming for "good enough." You don't have to be perfect. Most men never think like that. They're just trying to figure out what's the opening and how they can seize it. They're not thinking about, Oh my gosh, I'm not perfect, my hair's not perfect today, I wore the wrong shoes. No.

"Freedom, individualism, authenticity and being yourself so long as you don't hurt another's physical person or property: Sustained success comes only when you take what's unique about you and figure out how to make it useful!"

Wherever you are, that’s your stage, your circle of influence. That’s your talk show, that’s where your power lies. ... You have the power to change somebody’s life. Everyone has a calling, and your real job in life is to figure out what that is and get about the business of doing it.

Sexist grammar burns into the brains of little girls and young women a message that the male is the norm, the standard, the central figure beside which we are all deviants, the marginal, the dependent variables. It lays the foundation for androcentric thinking, and leaves men safe in their solipsistic tunnel-vision.

Between ourselves and our real natures we interpose that wax figure of idealizations and selections which we call our character.

When I am putting looks together, I dare myself to make something work. I always look for the most interesting silhouette or something that's a little off, but I have to figure it out. I have to make it me. I think that's the thrill in fashion.

To the hard of hearing you shout, and for the almost blind you draw large and startling figures.

Perhaps my early problems with dyslexia made me more intuitive: when someone sends me a written proposal, rather than dwelling on detailed facts and figures I find that my imagination grasps and expands on what I read.

I like my job because it involves learning. I like being around smart people who are trying to figure out new things. I like the fact that if people really try they can figure out how to invent things that actually have an impact.

I had to figure out how to bring the world into my work.

If you can't figure out your purpose, figure out your passion. For your passion will lead you right into your purpose.

This is what youth must figure out: Girls, love, and living. The having, the not having, The spending and giving, And the meloncholy time of not knowing. This is what age must learn about: The ABC of dying. The going, yet not going, The loving and leaving, And the unbearable knowing and knowing

The regular division of the plane into congruent figures evoking an association in the observer with a familiar natural object is one of these hobbies or problems...I have embarked on this geometric problem again and again over the years, trying to throw light on different aspects each time. I cannot imagine what my life would be like if this problem had never occurred to me; one might say that I am head over heels in love with it, and I still don't know why.

In 1989, thirteen nations comprising 1,695,000 people experienced nonviolent revolutions that succeeded beyond anyone's wildest expectations . . . If we add all the countries touched by major nonviolent actions in our century (the Philippines, South Africa . . . the independence movement in India . . .) the figure reaches 3,337,400,000, a staggering 65% of humanity! All this in the teeth of the assertion, endlessly repeated, that nonviolence doesn't work in the 'real' world.

In Macbeth a lady is restrained from the murder of a king by his resemblance of her father as he slept. Should not all men be restrained from acts of violence and even of unkindness against their fellow men by observing in them something which resembles the Savior of the World? If nothing else certainly, a human figure?

Nationalist, anti-European, anti-immigrant, anti-Muslim public political figures, seem a worrying picture of a possible European future. We could still fall back into pre-Europe... and it worries me.

If you read a lot of Chinese literature, there has always been very strong women figures - warriors, swordswomen - who defended honor and loyalty with the men. So, it's not new to our culture - it's always been very much a part of it. It's good that now the Western audience would have a different image of the Chinese women.

Somehow we got used to death, and then we dehumanised it. We account for conflicts in figures. Ebola is 13,500 infected, 5,000 people have died... People are losing their sense of empathy, their sense of wanting to do something.