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I want to do feature films. I am flying to Malaysia to be in another feature film. We will be filming that in Malaysia, the Phillipines, and back in California.
When you're making a film, you become incredibly close. It's not like you're filing away papers all day. You're creating with human emotions, so you do become very connected, so it is familial and romantic.
When you make a film, you never know how it will turn out, especially when you improvise it.
In D&D, you're only in that fantasy world. But with GURPS, you can, like, play a game that's Los Angeles film noir, or a game where the premise is you are world-jumpers, and you can go to different worlds.
When you're on film or TV, essentially you're in front of the camera. Unless it's a Tim Burton thing, the desire is to be real and grounded.
I guess there are certain conventions that come with film and with scoring film. So maybe one of those is menace in a lower register. It's trying to evoke some sense of chaos and adventure.
The thing I don't want to do as a film composer is reiterate. I prefer to subtextualize or to underline rather than to say, 'This is what you should be feeling.'
With film music, endings are often more difficult than beginnings, because a beginning is an underline, a way of exciting a moment, and then you have to find a way to dissipate that.
The experience of a film is immersive, and music is supposed to underline and help that experience.
The idea of creating film scores was terrifying for many years, into my 30s. It struck me as a career of doing 30-page term papers the night before they're due.
I don't see a film industry in Germany. They have a great TV culture, but how many German films are really exciting?
We did one pilot for FOX which was about this couple that moves to a town, and we play everyone in the entire town. So it was like a Peter Sellers film.
To stand there and do nothing on film is probably the hardest thing to do.
It's not that the film is violent, it's that people have an issue with violence right now.
I began my career creating art for an animated feature film, and it has been a life-long dream to tell some of the story of my own life - the story behind my art - through the medium of motion pictures.
Whenever I'm doing any film, I'm always just happy to have a job and I always just put 110% of myself into it.
I had a really great experience so far with film acting. And most experiences from most actors, I've heard, are not like this. But I want a career that has many disciplines and many options.
It is mind-blowing to pause and think that a film as forward-facing and potent as 'Do the Right Thing' was released the same year as 'Driving Ms. Daisy.'
When I'm working, I look forward to weekends. Film sets give your time a structure; otherwise, one day can run into another. I often find myself in unusual locations, so Friday nights I might head out with some of the cast and crew to explore the town.
We seek festivals for two reasons - either to create buzz because it is a small film or to find unexplored markets outside India.
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