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I write a book a year while creating TV and film projects. And being a writer isn't just writing: I have to chase down paychecks and manage foreign tax payments. I maintain a vibrant relationship with readers and bloggers. And when it comes to Hollywood, I typically have to have fifteen business meetings in the hopes that one leads to a project.
I worked in feature film casting right out of college and spent a lot of time working with actors, directors, and producers.
Selling a film option and getting a studio on board can be a slow process, and until things are official, you never want to spill the beans.
On a film set, for me, there's so much more time to process what's going on than there is on a television set. There's more wiggle room to try things and fail and try again and get to the heart of what's going on in the scene, which is really fun for me. It's what I like to do.
The beauty of my job is I do all different kinds of film directing, not just surf films anymore. And I do stuff from commercials to short films to working on feature films, and none of it is based from where I live. It's all based elsewhere, so I can live anywhere and commute to where I need to go.
My parents had bought a video camera for us to film Christmases and other family events. I took it down to the beach, set up a tripod, and I would grab two other friends, and we'd take turns filming and surfing. Then, at the end of the day, I'd go home and I'd make a video for everybody to watch.
But a writer's contribution is literary and a film is not literary. When you take that stuff off the page, and cast the people who are going to fit into those roles, that's what being a director is.
When I finish a film, I put it away and I never look at it again.
I feel out of my element on a film set, like I'm 14 and starting again and have no idea what is happening.
I've always been intimidated by the technicalities of taking photos, especially with a film camera - not just a point and shoot.
I used to work at this store, and I got fired when I actually booked the job on 'Glee' because I had to go film 'Glee.' I was a dancer on 'Glee.' My manager was like, 'Umm this isn't gonna work, so you can come get your last check this week.'
One thing that I always liked about fashion was that it was tied in with music and art and film.
Fashion intersects a lot with art and film and music, and that was appealing to me. I read a bunch of fashion blogs and wanted to be part of the community.
I knew I had to write a good screenplay to be taken seriously, and I knew I needed to present Mississippi on visuals instead of just saying, 'Hey I wanted to film it in Mississippi.' It would seem like it was a hometown boy just wanting to be home.
Myself, I would love to record and film every performance I make, as each concert is special and unique.
I rarely make good friends on film sets. I'll meet the same actors on different projects every few years, but in the interim we just get on with our own lives. I hope this means I don't make enemies, because I certainly don't go out deliberately to do so. But I'm sure they're lurking out there somewhere.
I'm used to promoting books, but a movie is a very different thing. You have to go to film festivals and wear fancy clothes and try and look glamorous and intelligent when you're just terrified and you want to go home!
There are different sides to me; I wanted to make a personal film but I would not want to make any film that does not reflect me in it. At least, not right now. I'm just too young to be doing that.
My character in 'Batman v Superman' isn't supposed to be Japanese, but director Zack Snyder said he'd seen me in 'Wolverine' and had to get me in the film somehow. Hearing that was like music to my ears.
I am no glamorous prop waiting to be presented as a showpiece in a film. Filmmakers have to look beyond that.
To what extent a film works is beyond me. My first film 'Aashiq Banaya Aapne' did wonders at the box office. Then 'Chocolate' was also quite popular, but it didn't have the same effect as the first one.
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