Quotes on Fingers

[I]n Africa I was a member of a family—of a sort of family that the people of your culture haven't known for thousands of years. If gorillas were capable of such an expression, they would tell you that their family is like a hand, of which they are the fingers. They are fully aware of being a family but are very little aware of being individuals. Here in the zoo there were other gorillas—but there was no family. Five severed fingers do not make a hand.

I play until my fingers are blue and stiff from the cold, and then I keep on playing. Until I'm lost in the music. Until I am the music--notes and chords, the melody and harmony. It hurts, but it's okay because when I'm the music, I'm not me. Not sad. Not afraid. Not desperate. Not guilty.

It was an unforgettable picture to see Chopin sitting at the piano like a clairvoyant, lost in his dreams; to see how his vision communicated itself through his playing, and how, at the end of each piece, he had the sad habit of running one finger over the length of the plaintive keyboard, as though to tear himself forcibly away from his dream.

Recently my fingers have developed a prejudice against comparatives. They all follow this pattern: a squirrel is smaller than a tree; a bird is more musical than a tree. Each of us is the strongest one in his or her own skin. Characteristics should take off their hats to one another, instead of spitting in each other's faces.

An admiral without ships, a hand without fingers, in service of a king without a throne. Is this a knight who comes before us, or the answer to a child's riddle?

Then I felt something inside me break and music began to pour out into the quiet. My fingers danced; intricate and quick they spun something gossamer and tremulous into the circle of light our fire had made. The music moved like a spiderweb stirred by a gentle breath, it changed like a leaf twisting as it falls to the ground, and it felt like three years Waterside in Tarbean, with a hollowness inside you and hands that ached from the bitter cold.

In heaven I'll wish with all my heart that I could reclaim a thousandth part of the time I've let slip through my fingers, that I could call back those countless conversations which could have glorified my Lord-but didn't.

Some of us have become so addicted to pointing fingers at others for all the wrong that happens in our lives that self-assessment has become synonymous with blaming the victim.

But maybe you never really had someone, she thought now. Maybe, no matter how much you loved them, they could slip through your fingers like water, and there was nothing you could do about it.

I know that, as night and shadows are good for flowers, and moonlight and dews are better than a continual sun, so is Christ's absence of special use, and that it hath some nourishing virtue in it, and giveth sap to humility, and putteth an edge on hunger, and funisheth a fairfield to faith to put forth itself, and to exercise its fingers in gripping it seeth not what.

Sometimes I imagined stitching all of our little touches together. How many hundreds of thousands of fingers brushing against each other does it take to make love? Why does anyone ever make love?

The alcohol smell is on my fingers, cold and remote, piercing like a steel pin going in. It smells like white enamel basins. When I look up at the stars in the nighttime, cold and white and sharp, I think they must smell like that.

The expression to write something down suggests a descent of thought to the fingers whose movements immediately falsify it.

What's wrong with men?" Tenar inquired cautiously. As cautiously, lowering her voice, Moss replied, "I don't know, my dearie. I've thought on it. Often I've thought on it. The best I can say it is like this. A man's in his skin, see, like a nut in its shell." She held up her long, bent, wet fingers as if holding a walnut. "It's hard and strong, that shell, and it's all full of him. Full of grand man-meat, man-self. And that's all. That's all there is. It's all him and nothing else, inside.

Fair play with others is primarily the practice of not blaming them for anything that is wrong with us. We tend to rub our guilty conscience against others the way we wipe dirty fingers on a rag. This is as evil a misuse of others as the practice of exploitation.

Love is like quicksilver in the hand. Leave the fingers open and it stays. Clutch it and it darts away.

Daily dawns another day; I must up, to make my way. Though I dress and drink and eat, Move my fingers and my feet, Learn a little, here and there, Weep and laugh and sweat and swear, Hear a song, or watch a stage, Leave some words upon a page, Claim a foe, or hail a friend- Bed awaits me at the end.

Then he knew that they had rounded the cape of good hope, and he took her large, soft hand again and covered it with forlorn little kisses, first the hard metacarpus, the long, discerning fingers, the diaphanous nails, and then the hieroglyphics of her destiny on her perspiring palm.

Don't use your brain to play it, let your feelings guide your fingers.

The state is a force incarnate. Worse, it is the silly parading of force. It never seeks to prevail by persuasion. Whenever it thrusts its finger into anything it does so in the most unfriendly way. Its essence is command and compulsion.

Crooked Warden, I will fear no darkness for the night is yours," muttered Locke, pointing the first two fingers of his left hand into the darkness. The Dagger of the Thirteenth, a thief's gesture against evil. "Your night is my cloak, my shield, my escape from those who hunt to feed the noose. I will fear no evil, for you have made the night my friend." "Bless the Benefactor," said Jean, squeezing Locke's left forearm. "Peace and profit to his children.