We must judge of a form of government by it's general tendency, not by happy accidents
Thomas B. MacaulayRead
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We must judge of a form of government by it's general tendency, not by happy accidents
Skateboarding is as much, or more, an art of mode of expression than it is a sport. What skateboarding has given me is precisely that: a form of expression that drew me to it, and, in so doing, I was able to express and be who I wanted to be through it, in a sense.
You don't have to specialize - do everything that you love and then, at some time, the future will come together for you in some form.
The natural aristocracy I consider as the most precious gift of nature for the instruction, the trusts, and government of society. And indeed it would have been inconsistent in creation to have formed man for the social state, and not to have provided virtue and wisdom enough to manage the concerns of the society. May we not even say that that form of government is the best which provides the most - for a pure selection of these natural aristoi into the offices of government?
We are at heart so profoundly anarchistic that the only form of state we can imagine living in is Utopian; and so cynical that the only Utopia we can believe in is authoritarian.
The world has never before had as much drama as today. Radio, films, television and video inundate us with drama. But while these forms can engage or even enrage the audience, in none of them can the viewer’s response alter the artistic event itselfThat is why theatre is signing its own death warrant when it tries to play too safe. On the other hand, that is also the reason why, although its future often seems bleak, theatre will continue to live and to provoke.
We are extremely uncomfortable with the spiritual aspects of gardening, and yet most people feel it in some form or other, even if it's a sense of connection to the greater world on a beautiful day.
The art and science of memory is about developing the capacity to quickly create images that link disparate ideas. Creativity is the ability to form similar connections between disparate images and to create something new and hurl it into the future so it becomes a poem, or a building, or a dance, or a novel. Creativity is, in a sense, future memory.
One mustn't always believe that feeling is everything. In the arts, it is nothing without form.
The strongest wish of a vast number of earnest men and women to-day is for a basis of religious belief which shall rest, not upon tradition or external authority or historical evidence, but upon the ascertainable facts of human experience. The craving for immediacy, which we have seen to be characteristic of all mysticism, now takes the form of a desire to establish the validity of the God-consciousness as a normal part of the healthy inner life.
To me, football is so much about mental toughness, it's digging deep, it's doing whatever you need to do to help a team win and that comes in a lot of shapes and forms.
My whole theory about art is the disparity that exists between form, masses and movement.
Of all the human figurines discovered so far from 30,000-3,000BC, 92% are of the female form. This is not to say there was any kind of matriarchy or worship of a mother goddess - far from it - but women are conspicuous by their presence.
In other words, I wouldn't like to be an actor if I could only be real. I like to get wild, behaviorally wild, and it's crazy to think of any form where it's just one way.
I write because it is dangerous, a bloody risk, like love, to form the words, to say the words, to touch the source, to be touched, to reveal how vulnerable we are, how transient.
Why, if species have descended from other species by insensibly fine gradations, do we not everywhere see innumerable transitional forms.
I believe in broken, fractured, complicated narratives, but I believe in narratives as a vehicle for truth, not simply as a form of entertainment, though I love entertainment, but also a way of conveying what needs to be conveyed about the works that I care about.
In speaking of the Energy of the field, however, I wish to be understood literally. All energy is the same as mechanical energy, whether it exists in the form of motion or in that of elasticity, or in any other form. The energy in electromagnetic phenomena is mechanical energy.
There is a point where in the mystery of existence contradictions meet; where movement is not all movement and stillness is not all stillness; where the idea and the form, the within and the without, are united; where infinite becomes finite, yet not losing its infinity. If this meeting is dissolved, then things become unreal.
He saw all these forms and faces in a thousand relationships become newly born. Each one was mortal, a passionate, painful example of all that is transitory. Yet none of them died, they only changed, were always reborn, continually had a new face: only time stood between one face and another.
Were not the gods forms created like me and you, mortal, transient?
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