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I think if you're trying to be funny, sometimes you're bending a piece of metal in a direction it doesn't want to go. And sometimes comedy just needs to find itself.

It is funny now, but in the beginning of my career, some of the films failed at the box office, and filmmakers stopped casting me, saying I am bringing bad luck to their film.

I don't spend much time on Twitter. I joined because I found it funny.

It's just my natural way - to be funny. I don't know why that is. But as I've said, humor is a quick cover for shock, horror, confusion. The critics hate funny writers for the most part. They think funny is not serious, but I think that funny can be even more serious than nonfunny. And it can be more affecting, too.

Look at Sam Beckett. Most depressed man who ever lived, but he sure was funny.

Most things I get hired on, I get hired because I improvise something funny, or they just think I look weird.

Sometimes, things need to be so understated on film that I don't even see them as funny, which isn't my favorite style, comedically. When I watch film comedy, I like people that are a little bit more alive on the screen and wound up. I like volatility and unpredictability and other long words like those.

There's nothing I would love more than to host an awards show where I'm nominated for an award - that is so funny to me.

Funny is as funny does, and funny puts on a walrus mask and slowly gyrates in a mall food court. I laugh at absurdity hardest, then stories, then observations, then bearded men on roller skates.

David Mamet's writing is pretty spectacular, obviously. I like the honesty of it; I like how funny it is and how sad it is.

It's funny, the moment you dread the most, seeing yourself bald, is actually not such a bad moment at all.

Micro humor is a joke that's contained in the writing: it's a punch line, it's a turn of phrase, it's something that you can see on the page, and no matter who's saying it, it is, in and of itself, a funny line.

Macro humor is just a person being themselves in a situation, saying whatever they're going to say, and it's funny because of the situation and who they are, or they say something, and it's just so them.

It's funny, because I don't think of myself as a novelist. I think of myself as a writer.

I married young. I had an instinct that this man was going to really wear well, and he has. For me, this is what worked. I always admired Helmut because he was, A, very smart, B, very sure of himself and very, very funny, and so that combination of things.

I'm the ultimate studier of comedy. I grew up in a very funny household. My dad is the king of one-liners; my brothers are great at telling stories, and my mom is funny without knowing it.

Patrick is vey modest about using the Sir thing and I just inherited it by marriage, so more than anything it's just kind of a funny little thing that we call one another from time to time. He calls me 'His Ladyship', which is just hilarious.

Funny how words in one language get used in another language. For example, 'scotch' in Russian is tape and 'pampers' means diapers.

Somehow people were connected to my funny bone and they always laughed at my jokes, and I also started enjoying that.

By making the gay character funny and sweet but above all normal, you make a far better, longer lasting statement than you would if you had an entirely gay comedy.

As for me, it is interesting to play a role that is not human; it is nice to be all powerful without fancy action scenes. But, it is not funny to play God, even on film. You don't speak much and just smile beatifically.

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