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I loved Omar Vizquel. He tells some really long jokes, and he has his own way of telling them, but he can make every joke very funny. He would always come up with jokes on the loudspeaker on the bus.

The great thing is that the funny side of getting old is fuel for my comedy.

It's great working with Steve Carell and Jim Carrey. Those guys are really funny.

Chess is a thinking person's game. But you don't have to be smart to know what's funny! Lots of check, mate!

It's a fun job, but it's stressful because you have to be funny. You have to have punch lines and captions. Be funny now! And if you're not inspired, they don't care - be funny now! They have to fill that hole the next day.

In general, the straight line of a joke sets up a premise, an expectation. Then the funny ending - the punch line - in a sense contradicts the original assumption by refusing to follow what had seemed a reasonable train of thought. Many jokes involve that simple matter of leaping outside what had appeared to be the rules of the game at the moment.

Given a little time for the pain to subside, dreadful experiences often can be the basis of funny jokes or stories.

One thing the blues ain't, is funny.

Comedy is a very personal thing, and some people will find it funny, some people won't.

I don't know if I'm embarrassed because I think it's a funny show, but I could imagine there being a snootiness about it, but I do find 'The Big Bang Theory' very funny. I think that's a good show. I think it's fun, I like the actors; I think they're all doing a great job.

The reason I keep talking about a wife and saying the word 'wife' on stage is because it seems a funny word to me. The more you say it, the more it seems to detach from that person and become this sort of abstract thing: that you would set out to find a wife, that it would be an objective like buying a new car.

It's so funny when you're actually directing because things start popping that you don't expect to pop, and something that you think is going to pop, maybe doesn't quite have the impetus that you thought it might.

I wanted to do a show about a character that was an innocent, and so I focused on a sea sponge because it's a funny animal, a strange one.

You have to imagine you write a show about a sponge and you think that maybe a few people will think it is funny, some college students, but it takes off. It is truly shocking - to the point where it is bizarre.

A sponge is a funny animal to center a show on. At first, I drew a few natural sponges - amorphous shapes, blobs - which was the correct thing to do biologically as a marine science teacher. Then I drew a square sponge, and it looked so funny.

'Silence Kid' starts with a broken classic-rock intro. It's funny to hear us do that. Obviously, we weren't skillful rock stars. Then it's spinning through a lot of hooks really fast, and all of a sudden, it's over.

There's something funny about the idea that when you're poor it doesn't matter who's president.

People who know my music are like 'Yo, that's Steve G-Lover rapping this 'Paper Boi' song. It's hot. I need this song.' It's funny because the song came about so fast, but the idea had been simmering for a while.

When I'm on the set at 'Law & Order: Special Victims Unit,' of course the content isn't funny, but the other actors are hilarious.

I remember watching 'Colombo' a lot with my dad. That was one of the first detective shows I remember watching. And I remember my dad turning to me - my dad loves to turn to me and explain why things are funny. He used to do that with 'Seinfeld' all the time. He did it with 'Colombo', too, set the scene.

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