I wanted a perfect ending. Now I've learned, the hard way, that some poems don't rhyme, and some stories don't have a clear beginning, middle and end.
Gilda RadnerRead
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I wanted a perfect ending. Now I've learned, the hard way, that some poems don't rhyme, and some stories don't have a clear beginning, middle and end.
What counts in a good story is the person inside. Keep it simple.
Anecdotes don't make good stories. Generally I dig down underneath them so far that the story that finally comes out is not what people thought their anecdotes were about.
Ask him why there are hypocrites in the world.' 'Because it is hard to bear the happiness of others.' 'When are we happy?' 'When we desire nothing and realize that possession is only momentary, and so are forever playing.' 'What is regret?' 'To realize that one has spent one's life worrying about the future.' 'What is sorrow?' 'To long for the past.' 'What is the highest pleasure?' 'To hear a good story.
It's all a question of story. We are in trouble just now because we do not have a good story. We are in between stories. The old story, the account of how we fit into it, is no longer effective. Yet we have not learned the new story.
Good story' means something worth telling that the world wants to hear. Finding this is your lonely task...But the love of a good story, of terrific characters and a world driven by your passion, courage, and creative gifts is still not enough. Your goal must be a good story well told.
My only conclusion about structure is that nothing works if you don't have interesting characters and a good story to tell.
And she never could remember; and ever since that day what Lucy means by a good story is a story which reminds her of the forgotten story in the Magician's Book.
Humans like stories. Humans need stories. Stories are good. Stories work. Story clarifies and captures the essence of the human spirit. Story, in all its forms—of life, of love, of knowledge—has traced the upward surge of mankind. And story, you mark my words, will be with the last human to draw breath.
I always think if it's a good story, the audience can't wait to run out of the theater and go tweet somebody with the gist of a story, in a nutshell, almost, because it was that interesting.
As a rule, I don't worry about genre. I just want to tell a good story, with characters that interest me and my readers.
What a story is, is devious. It pretends transparency, forthrightness. It engages with ordinary people, ordinary matters, recognizable stuff. But this is all a masquerade. What good stories deal with is the horror and incomprehensibility of time, the dark encroachment of old catastrophes...
I do feel that if you can write one good sentence and then another good sentence and then another, you end up with a good story.
I like a good story well told. That is the reason I am sometimes forced to tell them myself.
George Orwell is half journalist, half fiction writer. I'm 100 percent fiction writer... I don't want to write messages. I want to write good stories. I think of myself as a political person, but I don't state my political messages to anybody.
Nothing spoils a good story like the arrival of an eyewitness.
In few people is discretion stronger than the desire to tell a good story.
That's the curse of the reading class. We can be seduced by a good story even at the most inopportune moments.
Never let the truth get in the way of a good story.
Only library books speak with such wordless eloquence of the power good stories hold over us.
A good story can take you on a fantastic journey.
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