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Hollywood has always been a cage... a cage to catch our dreams.
When I realized that you can't necessarily be cast in a really great part living in Austin, even when Hollywood comes to town, I got a demo reel together and headed out west.
I've worked with people from Fred Zinnemann, John Huston, through to Richard Fleischer, all of those boys from Hollywood and so on, and Sam Peckinpah and then the Mike Radfords.
I've had nine of my books adapted to film, and almost all were enjoyable. I've been very lucky with Hollywood, and look forward to more movies being adapted. But I don't get involved in that process. I know nothing about making movies and I stay away from it and hope for the best.
And in Hollywood, you know, everyone is an expert. Most of them are expert editors. They can't direct, they can't write, they can't act, but, by God, they all think they can edit.
Hollywood is just a bunch of people going around in Learjets to other people asking them if they've got any money? Well, they might have if they didn't spend it all on jets.
I had no clue of Hollywood until I became a teenager. Then I got a fake ID in Tijuana and discovered Shelly's Manne-Hole, on Cahuenga and Selma, where I saw John Coltrane and his piano player, McCoy Tyner, and Elvin Jones, the drummer - my idol.
In Hollywood if you're good looking, tall, have okay teeth and nice skin, the odds of being successful are great. If you're short and fat, it's a different story. But as long as you look like a leading man type, half your job is done already.
I don't like when an Asian-American actor says, 'I'm entering this business to change Hollywood.' It feels like the wrong reason - I would prefer they entered the business for artistic reasons, because they need to do it.
It's so funny that Hollywood has become so entrenched in its formulas. Because what I've experienced is that the good stuff comes from places you don't expect.
I think Hollywood acts like followers of culture and is constantly seeking to follow trends.
Film buffs who don't live in Hollywood have a fantasy about what it's like to be a director. Movies and the people who make movies have such glamour associated with them. But the truth is, it's not like that. It's very different. It's hard work.
I'm not of the manor born; I've never felt entitled in that way. I just came to Hollywood to be an actor. All that lifestyle stuff is something to be managed.
It's that experienced eye that knows what the public loves and how to create that Hollywood magic that drives pop culture.
Hollywood has given me a great, warm hug.
Wherever I am, I will embrace the life and the lifestyle. I've lived in Hollywood before, and we've moved into the old neighbourhood in West Hollywood. I love California.
Once when I was making a picture in Hollywood, one of the directors who was a health addict was always trying to got me to eat organic bread, tiger milk and yoghurt, I must say the only thing I liked was the strawberry yoghurt.
We had a 'Project Joey' scheme worked out in which I would take correspondence courses while acting in Hollywood. Then when I flew home, teachers would come on their own time and help me hone up in world history, psychology, English literature and French. We gave it a noble try, and I hope some day to complete the project.
Once you've been booked, people in Hollywood say, 'Oh he must be good.' All the while you're the same actor.
I lived in my car in Hollywood for a year, and then it got towed. My... apartment got towed. How... does that happen?
Satisfying as that 'Cabaret' role was, it is not the only thing I do. But Hollywood is somewhat limited in its perspective about what it is you do or don't do.
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