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My impression was, 'This Hollywood thing doesn't seem too hard.'
Hollywood, it seems, recognizes black film and black filmmakers, but like a distant lover, never close enough or long enough to forge a meaningful relationship.
Hollywood has successfully produced many films framed by anti-racist or pro-integrationist story lines. I'm going to guess that since 'Gone With The Wind,' Hollywood realized films about racism and segregation pull at the heartstrings of everyone and hopefully serve to purge a sense of guilt.
We have our own ocean, we've got a great bike trail - I love riding all the way to the turnaround at Hollywood Beach.
I only go down to Hollywood for work.
Hollywood only recognizes big successes and big failures.
They don't like to take chances in Hollywood.
I'm a Southern WASP, and I just don't fit in Hollywood - I can't get hired for anything here.
In Hollywood, they've chased away all the good writers.
Do you know how many plastic surgeries are done to the actors and actresses in Hollywood?
And the inner dynamics of Hollywood are like politics. Say you give a script to a group of executives - they all sit around, afraid to voice an opinion, saying nothing, waiting to know what the consensus is. Just like focus groups, opinion polls or a cabinet.
So much of Hollywood is this kind of overly machismo, nonsensical view of masculinity, which I just don't find honest. I think it's this idea of - you know, we're told, well, 'Be a man, be a man.' But what does that mean, exactly? Does that mean you can't carry yourself with any fear? That you can't acknowledge that you're scared?
I didn't go Hollywood on the outside with flashy cars, upstairs maids and mink-covered bathroom fixtures. I went Hollywood on the inside, and that's worst of all. I tried to avoid being natural. I lowered my voice. I copied the mannerisms of other stars. I struck poses.
I rode all around Hollywood listening to Donna Summer, looking out the window - all by myself - just going, 'I'm number one!' It's a pretty extraordinary feeling.
Being a nice guy is detrimental to actors. When I first came to Hollywood, everyone was nice to me. Everyone thought I was a nice guy.
If you go out to Hollywood you'll find a lot of fantastic plastic people there in the business and a lot of people in life generally. They find it so hard to be themselves that they have to be plastic.
I conduct myself as if I am a spaceman in Hollywood. I don't want to do anything fancy. I don't want people to send me free clothes. I just want to be grateful for this craft they let me do.
In Hollywood, I was used to being on a dirty old sound stage, and the whole crew is just scratching themselves. They don't care who you are.
There aren't any real dumb people in my voices. It's always irritated me about Hollywood dialogue - there's so much dialogue that would just bore a Ford mechanic. This is not how people talk.
I was a very naive kid. I didn't know there were people living in closets in Hollywood.
My faith doesn't go over real well in Hollywood.
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