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It's the honesty you apply to your playing that makes music enjoyable. The style of the music has little to do with it. It's only honesty makes it beautiful.

That sound in tune to you?.. Sounds sharp to me. Sounds like I'm playing sharp all the time. My singing teacher told us you should do that. Maybe I got it from her. She said singers when they grow old have a tendency to go flat. So if you sing sharp as a young person, as you get older and go flat, you'll be in tune. In other words, it's never thought good to be flat. It means you can't get to the tone.

I'm too busy playing. When I'm playing I don't pay attention to who's listening. When I was listening I listened to symphony orchestras, Beethoven, Bach, Brahms, Stravinsky. You don't listen to one instrument; you listen to music.

Making the simple complicated is commonplace.

The word [jazz] never lost its association with those New Orleans bordellos. In the 1920s I used to try to convince Fletcher Henderson that we ought to call what we were doing 'Negro music'. But it's too late for that now.

Art is dangerous. It is one of the attractions: when it ceases to be dangerous, you don't want it.

I don't need time. What I need is a deadline!

I don't limit my taste. There's some jazz that I like and there's some opera. I've been listening to what was essentially country music, but it crossed over to rock.

Instrumental music can spread the international language.

Jazz is like a great blues band that fell down the stairs

At this point we've answered about every question you could possibly imagine about Deep Space Nine, so we do this thing called Theatrical Jazz, where we do a show of bits and pieces of things from plays and literature, poetry... stuff that we like. It's fun.

I just think swing is a matter of some good things put together that you can really pat your foot by. I can't define it beyond that.

It is jazz music that called me to be a musician and I have always sang the songs that moved me the most.

I don't know why people call me a jazz singer, though I guess people associate me with jazz because I was raised in it, from way back. I'm not putting jazz down, but I'm not a jazz singer...I've recorded all kinds of music, but (to them) I'm either a jazz singer or a blues singer. I can't sing a blues – just a right-out blues – but I can put the blues in whatever I sing. I might sing 'Send In the Clowns' and I might stick a little bluesy part in it, or any song. What I want to do, music-wise, is all kinds of music that I like, and I like all kinds of music.

There's a category for me. I like to be referred to as a good singer of good songs in good taste.

Sometimes when I do a joke and it doesn't get a lot of laughs, it kind of feels like I'm doing jazz. That's kinda cool because jazz is cool, but sometimes jazz sucks ... Maybe I'm the Kenny G of comedy.

I'm really getting to appreciate traditional jazz now - the New Orleans stuff - a lot more than I did before.

I know I'm no glamour girl, and it's not easy for me to get up in front of a crowd of people. It used to bother me a lot, but now I've got it figured out that God gave me this talent to use, so I just stand there and sing.

Some kids in Italy call me 'Mama Jazz; I thought that was so cute. As long as they don't call me 'Grandma Jazz.'

I've had some wonderful love affairs and some that didn't work out. I don't want to dwell on that and I don't want to put people down, but I think all the fabulous places I've been, the wonderful things that have happened for me, the great people I've met - that ought to make a story.

The beauty of jazz is that it's malleable. People are addressing it to suit their own personalities.

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