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The one radio voice that I listened to above others belonged to Ella Fitzgerald. There was a quality to her voice that fascinated me, and I'd sing along with her, trying to catch the subtle ways she shaded her voice, the casual yet clean way she sang the words.

Scott Feiner is a soulful magnet for the fusion of Brazilian and jazz music.

If I knew what it was going to look like, I wouldnt be so excited to be a part of it. Jazz is a music of surprise; its a music of spontaneity. I think jazz musicians live--I know I do--for being surprised and not knowing whats going to come next.

All a musician can do is to get closer to the sources of nature, and so feel that he is in communion with the natural laws.

I guess I learnt to appreciate old Hindi-movie music from my dad and somewhere down the line picked up jazz as well.

Some people try to get very philosophical and cerebral about what they're trying to say with jazz. You don't need any prologues, you just play. If you have something to say of any worth then people will listen to you.

When comedy is good, it's jazz. The beats of it, the looseness, the improvisational part, the music-the way you hit the inflection, the high notes of a joke. It's all melody to me.

I can only be me. I do what I do, I'm not a jazz player. ... I don't play jazz standards, at least not in any recognizable way. It's not my turf but I have plenty of respect for that style of playing.

Bill Monroe spoke of bringing 'ancient tones' into his music with echoes of British and Irish fiddle and bagpipe music, while also delving deeply into American blues, gospel, folk hymnody, and hill country dance music. To that gumbo, he added the invigorating rhythms and harmonies of hot jazz. It was a new kind of American music, named in honor of his band The Blue Grass Boys to be known, simply, as bluegrass.

Introvert conversations are like jazz. Each player gets to solo for a nice stretch before the other player comes in and does his solo.

If anybody was Mr. Jazz it was Louis Armstrong. He was the epitome of jazz and always will be. He is what I call an American standard, an American original.

I find Indian music very funky. I mean it's very soulful, with their own kind of blues. But it's the only other school on the planet that develops improvisation to the high degree that you find in jazz music. So we have a lot of common ground.

Only in spontaneity can we be who we truly are.

Jazz is all about improvisation and it's about the moment in time, doing it this way now, and you'll never do it this way twice. I've studied the masters. Why would I want to play ball after the guys who sit on a bench? I want to play like Michael Jordan.

Without music, life is a journey through a desert.

For me, the ultimate form of expression is blues, where jazz appeals to me on an intellectual level.

Footballers can be like artists when the mind and body are working as one. It is what Miles Davis does when he plays free jazz - everything pulls together into one intense moment that is beautiful.

I never really liked poetry readings; I liked to read poetry by myself, but I liked singing, chanting my lyrics to this jazz group.

Everybody has the blues. Everybody longs for meaning. Everybody needs to love and be loved. Everybody needs to clap hands and be happy. Everybody longs for faith. In music, especially this broad category called jazz, there is a stepping-stone to all of these.

Ever since I was a kid, I've been into clothes, but not really labels- that's kind of only been in the last year or so. It's something I've always cared about. I used to just constantly thrift and make stuff and cut stuff up and borrow my dad's stuff and borrow my little brother's stuff and all that jazz. ... It's just, if something is cool, then it's cool.

You learn from music, from watching great athletes at work - how disciplined they are, how they move. You learn these things by watching a shortstop at work, how he concentrates on one thing at a time. You learn from classic music, from the blues and jazz, from bluegrass. From all this, you learn how to sustain a great line without bringing in unnecessary words.

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