Whether man is disposed to yield to nature or to oppose her, he cannot do without a correct understanding of her language
Jean RostandRead
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Whether man is disposed to yield to nature or to oppose her, he cannot do without a correct understanding of her language
Language is the light of the mind
MISCREANT, n. A person of the highest degree of unworth. Etymologically, the word means unbeliever, and its present signification may be regarded as theology's noblest contribution to the development of our language.
And the betrayers of language ...... n and the press gang And those who had lied for hire; The perverts, the perverters of language, the perverts, who have set money-lust Before the pleasures of the senses; howling, as of a hen-yard in a printing-house, the clatter of presses, the blowing of dry dust and stray paper, foetor, sweat, the stench of stale oranges.
RIBALDRY, n. Censorious language by another concerning oneself.
To understand a sentence means to understand a language. To understand a language means to be master of a technique.
How you speak and the words you use tell much about the image you choose to portray. Use language to build and uplift those around you. Profane, vulgar, or crude language and inappropriate or off-color jokes are offensive to the Lord. Never misuse the name of God or Jesus Christ. The Lord said, "Thou shalt not take the name of the Lord thy God in vain" (Ex. 20:7).
No instance exists of a person's writing two language perfectly. That will always appear to be his native language which was most familiar to him in his youth.
What is the real function, the essential function, the supreme function, of language? Isn't it merely to convey ideas and emotions? Certainly. Then if we can do it with words of fonetic brevity and compactness, why keep the present cumbersome forms?
A tale should be judicious, clear, succinct; The language plain, and incidents well link'd; Tell not as new what ev'ry body knows; and, new or old, still hasten to a close.
Like and equal are two entirely different things.
Only as the written text began to speak would the voices of the forest, and of the river, begin to fade. And only then would language loosen its ancient association with the invisible breath, the spirit sever itself from the wind, the psyche dissociate itself from the environing air.
No event for the Koyukon - or for most other indigenous peoples - is ever entirely meaningless or accidental, but neither is any event entirely predetermined or fated. Rather like the trickster, Raven, who first gave it its current form, the sensuous world is a spontaneous, playful and dangerous mystery in which we participate, an articulate and improvisational field of powers ever responsive to human actions and spoken words.
The telling of stories, like singing and praying, would seem to be an almost ceremonial act, an ancient and necessary mode of speech that tends the earthly rootedness of human language. For narrated events always happen somewhere. And for an oral culture, that location is never merely incidental to those occurrences. The events belong, as it were, to the place, and to tell the story of those events is to let the place itself speak through the telling.
I believe that all poetry is formal in that it exists within limits, limits that are either inherited by tradition or limits that language itself imposes.
On this platform of peace, we can create a language to translate ourselves to ourselves and to each other.
We feel free because we lack the very language to articulate our unfreedom.
Language is conceived in sin and science is its redemption.
I think perhaps the most important problem is that we are trying to understand the fundamental workings of the universe via a language devised for telling one another when the best fruit is.
It is my firm belief that all successful languages are grown and not merely designed from first principles
A programming language is like a natural, human language in that it favors certain methaphors, images, and ways of thinking.
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