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I think, whoever is making great films in whatever language is likely to do well.

When I sit down with filmmakers, I feel like we speak the same language in a lot of ways. We watch the same movies and have the same influences. If anything, it creates a dialogue that makes my work more effective.

But I am Northern myself, and there is a certain rhythm of Northern speech that is very comical: that combination of the choice of language and the speech rhythm, which in itself is very funny.

Language is ever on the move, and most days, I check out the 'Urban Dictionary' where anyone can invent a new and useful word or phrase.

I had two experiences with very close friends of mine who experienced aphasia, the loss of language. It shocked me.

It's very easy to lose language - it can be shut off in a second.

The wonderful thing about writing for theatre is you can go anywhere you want with the language. There are no limits. With film, they frown on language - it's always 'Too many words.'

People appreciate when you make an effort to speak their language.

When I came here I moved to London and I was meeting so many new people and had to speak only in English, which is not my native language.

I worked with Mauricio Pochettino and even as a player, he had certain mannerisms and his body language. There was so much to learn from.

I love learning things, whether it's a language or Philippine knife-fighting or the Viennese waltz.

As a musician, language is almost like another instrument. Every word has a sound.

The language of politics is spoken in the first-person plural, and for Conservatives, the duty of the politician is to maintain that first-person plural in being.

I didn't know the technical language of filmmaking, so I said, 'OK, I'm going to do my own storyboard,' because I had to explain to the crew and the technical people what I wanted.

As for the once-revolutionary 'Agon,' after more than half a century, its lessons and revelations have been so absorbed into the language of ballet that it now seems almost conventional.

I was only 19 when I came to Hoffenheim. Everything was new to me - a strange country, a foreign language. That was not easy at the beginning. Europe was a big adventure to me, and of course I had my doubts.

Money has a language of its own.

'New Mutants' #100 went out the door with over a million copies. It is the highest-selling last issue of any comic ever. And that's when I knew that I spoke fandom. I spoke their language.

Bharathirajaa taught me everything, from body language to emoting with one's eyes.

Nineties hip-hop in particular really shaped what became the common pop cultural language that we all speak.

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