A good actor always sets you straight. If you've written a false moment and thought it was probably pretty great, the actor's gonna show you when he gets to that moment. They're the great test of the validity of the material.
Sam ShepardRead
The wonderful thing about writing for theatre is you can go anywhere you want with the language. There are no limits. With film, they frown on language - it's always 'Too many words.'
Interpretation
Writing for theatre allows for limitless expression through language, unlike film, where dialogue is often curtailed.
This quote by Sam Shepard emphasizes the freedom and creativity inherent in writing for theatre. He contrasts it with the constraints often imposed in film, where an overabundance of language is discouraged. Theatre writers can explore their thoughts and emotions more freely through dialogue, unleashing their artistic vision without the limitations that filmmakers face regarding language.
In practice
This quote can be used in a workshop for aspiring playwrights to inspire them to embrace their creative freedom.
A good actor always sets you straight. If you've written a false moment and thought it was probably pretty great, the actor's gonna show you when he gets to that moment. They're the great test of the validity of the material.
I stay away from heavy-handed stuff, the good guy and the bad guy. It just doesn't interest me; all it does is create more fences between people, I think.
I hate endings. Just detest them. Beginnings are definitely the most exciting, middles are perplexing and endings are a disaster. … The temptation towards resolution, towards wrapping up the package, seems to me a terrible trap. Why not be more honest with the moment? The most authentic endings are the ones which are already revolving towards another beginning. That’s genius.
There are places where writing is acting and acting is writing. I'm not so interested in the divisions. I'm interested in the way things cross over.
Democracy's a very fragile thing. You have to take care of democracy. As soon as you stop being responsible to it and allow it to turn into scare tactics, it's no longer democracy, is it? It's something else. It may be an inch away from totalitarianism.
On stage, you're not limited at all because you're free in language: language is the source of the imagination. You can travel farther in language than you can in any film.
To me, music is entertainment - what else can it be? In fact, it's the only language I know of that's universal.
What could be said about me...a man to whom only his painting matters? And of course his garden and his flowers as well.
Making a movie and not directing the little moments is like drinking a soda and leaving the little slurp puddle for someone else.
Even if the world ends, the Music will still survive...
In HEATHEN, R. Flowers Rivera remixes the classical and the Biblical, the usual and the typical until what we thought we knew of ourselves and others is new again. The mythic becomes particular; the particular becomes mythic in these fascinating poems of personalities and personas. Rivera’s work is rich in empathy and invention. Heathen is a book of psalms for the present day.
Fashion is architecture: it is a matter of proportions.
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