I stay away from heavy-handed stuff, the good guy and the bad guy. It just doesn't interest me; all it does is create more fences between people, I think.
Sam ShepardRead
A good actor always sets you straight. If you've written a false moment and thought it was probably pretty great, the actor's gonna show you when he gets to that moment. They're the great test of the validity of the material.
Interpretation
A good actor reveals the truth in a script, highlighting its strengths and shortcomings.
In this quote, Sam Shepard emphasizes the critical role that actors play in the artistic process of storytelling. They serve as a mirror to the writer's work, ensuring that the emotional truths of a performance resonate authentically with the audience. A skilled actor can expose the weaknesses in a script, prompting writers to examine their material more closely and improve its integrity.
In practice
During a theater class, a teacher might use this quote to illustrate the importance of an actor's role in validating a script.
I stay away from heavy-handed stuff, the good guy and the bad guy. It just doesn't interest me; all it does is create more fences between people, I think.
I hate endings. Just detest them. Beginnings are definitely the most exciting, middles are perplexing and endings are a disaster. … The temptation towards resolution, towards wrapping up the package, seems to me a terrible trap. Why not be more honest with the moment? The most authentic endings are the ones which are already revolving towards another beginning. That’s genius.
There are places where writing is acting and acting is writing. I'm not so interested in the divisions. I'm interested in the way things cross over.
Democracy's a very fragile thing. You have to take care of democracy. As soon as you stop being responsible to it and allow it to turn into scare tactics, it's no longer democracy, is it? It's something else. It may be an inch away from totalitarianism.
On stage, you're not limited at all because you're free in language: language is the source of the imagination. You can travel farther in language than you can in any film.
There's no way to escape the fact that we've grown up in a violent culture, we just can't get away from it, it's part of our heritage. I think part of it is that we've always felt somewhat helpless in the face of this vast continent. Helplessness is answered in many ways, but one of them is violence.
I needed my life as a springboard for my fiction. I have to have something solid under my feet when I write. I'm not a fantasist. I bounce up and down on the diving board, and I go into the water of fiction. But I've got to begin in life so I can pump life into it throughout.
In art as in lovemaking, heartfelt ineptitude has its appeal and so does heartless skill, but what you want is passionate virtuosity.
I'm either going to be a writer or a bum.
The difference between a bad artist and a good one is: the bad artist seems to copy a great deal; the good one really does.
If you appear in the 'Atlantic' or 'Harper's' or the 'New Yorker,' by God, you must be a writer, because everybody says so.
I do not know which to prefer, The beauty of inflections, Or the beauty of innuendoes, The blackbird whistling, Or just after.
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