A good actor always sets you straight. If you've written a false moment and thought it was probably pretty great, the actor's gonna show you when he gets to that moment. They're the great test of the validity of the material.
Sam ShepardRead
I stay away from heavy-handed stuff, the good guy and the bad guy. It just doesn't interest me; all it does is create more fences between people, I think.
Interpretation
The quote emphasizes the preference for nuanced perspectives over black-and-white moral distinctions in human interactions.
Sam Shepard's quote highlights a critical view of the simplistic labeling of individuals as good or bad, suggesting that such categorizations foster division and barriers between people. Instead, Shepard advocates for a more complex understanding of human nature, recognizing the shades of gray that define our interactions and experiences, which ultimately promotes empathy and connection rather than separation.
In practice
In a debate about morality in films, one might quote this to emphasize the importance of complexity in storytelling.
A good actor always sets you straight. If you've written a false moment and thought it was probably pretty great, the actor's gonna show you when he gets to that moment. They're the great test of the validity of the material.
I hate endings. Just detest them. Beginnings are definitely the most exciting, middles are perplexing and endings are a disaster. β¦ The temptation towards resolution, towards wrapping up the package, seems to me a terrible trap. Why not be more honest with the moment? The most authentic endings are the ones which are already revolving towards another beginning. Thatβs genius.
There are places where writing is acting and acting is writing. I'm not so interested in the divisions. I'm interested in the way things cross over.
Democracy's a very fragile thing. You have to take care of democracy. As soon as you stop being responsible to it and allow it to turn into scare tactics, it's no longer democracy, is it? It's something else. It may be an inch away from totalitarianism.
On stage, you're not limited at all because you're free in language: language is the source of the imagination. You can travel farther in language than you can in any film.
There's no way to escape the fact that we've grown up in a violent culture, we just can't get away from it, it's part of our heritage. I think part of it is that we've always felt somewhat helpless in the face of this vast continent. Helplessness is answered in many ways, but one of them is violence.
It is a dangerous thing to ask why someone else has been given more. It is humbling - and indeed healthy - to ask why you have been given so much.
O Lord! You are the guide of those who are passing through the Valley of Bewilderment. If I am a heretic, enlarge my heresy.
Our illusions-the beliefs we hold on to-are the very doorways to our freedom. We simply have to enter through them without grasping or pushing away. We must not believe them, but we must not run away from them either. We need to see each moment of apparent bondage as an invitation to freedom. Then it becomes an act of love, an act of compassion, to stop running away.
We cannot afford to spend millions and millions over nuclear arms when there is poverty and unemployment all around us.
The idea that putting Americans 'first' requires a withdrawal from the world is simply wrongheaded because a retreat would achieve exactly the opposite for our citizens.
No matter what we call it, poison is still poison, death is still death, and industrial civilization is still causing the greatest mass extinction in the history of the planet.
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