I don't know if there is a personal identity. We all imagine that we are absolute individuals. But when we begin to look for where this individuality resides, it's very difficult to find.
John BanvilleRead
Writing keeps me at my desk, constantly trying to write a perfect sentence. It is a great privilege to make one's living from writing sentences. The sentence is the greatest invention of civilization. To sit all day long assembling these extraordinary strings of words is a marvelous thing. I couldn't ask for anything better. It's as near to godliness as I can get.
Interpretation
Writing is a profound and privileged activity that involves creating perfect sentences, which are seen as fundamental to civilization.
This quote by John Banville expresses the deep appreciation and joy he finds in the act of writing. He views the creation of sentences not only as a means of livelihood but as a revered craft that holds significant value in civilization. The writer feels a sense of privilege and fulfillment while engaged in the painstaking process of assembling words into coherent ideas, equating this creative endeavor to a near-divine experience.
In practice
In a writing workshop, to inspire aspiring writers.
I don't know if there is a personal identity. We all imagine that we are absolute individuals. But when we begin to look for where this individuality resides, it's very difficult to find.
Why does the past seem so magical, so fraught, so luminous? At the time it was just, ugh, another boring bloody day. But, to look back on, it's a day full of miracles and light and extraordinary events. Why is this? What process do we apply to the past, to give it this vividness? I don't know.
Happiness was different in childhood. It was so much then a matter simply of accumulation, of taking things - new experiences, new emotions - and applying them like so many polished tiles to what would someday be the marvellously finished pavilion of the self.
I know some of my memories are made up and they are far more powerful than the things that actually happened. For example, I always remember my brother posting me a copy of 'Dubliners' from Africa, but he says he never did.
How I envy writers who can work on aeroplanes or in hotel rooms. On the run I can produce an article or a book review, or even a film script, but for fiction I must have my own desk, my own wall with my own postcards pinned to it, and my own window not to look out of.
All novels must be autobiographical because I am the only material that I know. All of the characters are me. But at the same time, a novel is never autobiographical even if it describes the life of the author. Literary writing is a completely different medium.
Poets are never allowed to be mediocre by the gods, by men or by publishers.
It can happen that a book, unlike its authors, grows younger as the years pass.
On film you put all your energies into a single glance.
In improvisation, there are no mistakes.
Ah, art! Ah, life! The pendulum swinging back and forth, from complex to simple, again to complex. From romantic to realistic, back to romantic.
The world concerns me only in so far as I have a certain debt and duty to it, because I have lived in it for thirty years and owe to it to leave behind some souvenir in the shape of drawings and paintings – not done to please any particular movement, but within which a genuine human sentiment is expressed.
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