That is art: to give all you have. And what have you? _x000D_ Your life - nothing more. _x000D_ And to give life means to feel life throughout your whole being.
Michael ChekhovRead
Compassion may be called the fundamental of all good art because it alone can tell you what other beings feel and experience. Only compassion severs the bonds of your personal limitations, and gives you deep access into the inner life of the character you study, without which you cannot properly prepare it for the stage
Interpretation
Compassion is essential for understanding and portraying characters in art.
This quote emphasizes the importance of compassion in the creation and interpretation of art. Michael Chekhov argues that to truly understand and depict the emotions and experiences of others, one must possess a sense of compassion. This understanding transcends personal limitations, enabling deeper insights into characters and their stories, which is crucial for performing them authentically on stage.
In practice
In a theater workshop, one might use this quote to encourage actors to empathize with their characters.
That is art: to give all you have. And what have you? _x000D_ Your life - nothing more. _x000D_ And to give life means to feel life throughout your whole being.
The inner life of the [imagination], and not the personal and tiny experiential resources of the actor, should be elaborated on the stage and shown to the audience. This life is rich and revealing for the audience as well as for the actor himself.
When I'm writing, I write all day. Other days, I sit around thinking. Or I run around from one meeting to another, out in the world. It varies, and I like that.
If you want to make a documentary you should automatically go to the fiction, and if you want to nourish your fiction you have to come back to reality.
Work is what you do for others, liebchen. Art is what you do for yourself.
Early on, a story's meaning and rationale seem pretty obvious, but then, as I write it, I realize that I know the meaning/rationale too well, which means that the reader will also know it - and so things have to be ramped up.
Very often, footage that you have shot develops its own dynamic, it's own life, that is totally unexpected, and moves away from you're original intentions. And you have to acknowledge, yes, there is a child growing and developing and moving in a direction that isn't expected-accept it as it is and let it develop its own life.
The only thing I really wanted was the freedom to be able to get what I want on film. I’ve dealt with the MPAA since 1973, so I know how to renegotiate and rework.
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