I don't know if there is a personal identity. We all imagine that we are absolute individuals. But when we begin to look for where this individuality resides, it's very difficult to find.
John BanvilleRead
I know some of my memories are made up and they are far more powerful than the things that actually happened. For example, I always remember my brother posting me a copy of 'Dubliners' from Africa, but he says he never did.
Interpretation
Memories can be constructed and have a stronger impact than real events.
This quote highlights the subjective nature of memory and how our recollections can often be shaped by our emotions and experiences, sometimes even diverging from reality. It suggests that the significance of a memory can outweigh its factual accuracy, emphasizing the power of perception in shaping our understanding of the past.
In practice
A keynote speech about the importance of personal narrative in storytelling.
I don't know if there is a personal identity. We all imagine that we are absolute individuals. But when we begin to look for where this individuality resides, it's very difficult to find.
Why does the past seem so magical, so fraught, so luminous? At the time it was just, ugh, another boring bloody day. But, to look back on, it's a day full of miracles and light and extraordinary events. Why is this? What process do we apply to the past, to give it this vividness? I don't know.
Happiness was different in childhood. It was so much then a matter simply of accumulation, of taking things - new experiences, new emotions - and applying them like so many polished tiles to what would someday be the marvellously finished pavilion of the self.
Writing keeps me at my desk, constantly trying to write a perfect sentence. It is a great privilege to make one's living from writing sentences. The sentence is the greatest invention of civilization. To sit all day long assembling these extraordinary strings of words is a marvelous thing. I couldn't ask for anything better. It's as near to godliness as I can get.
How I envy writers who can work on aeroplanes or in hotel rooms. On the run I can produce an article or a book review, or even a film script, but for fiction I must have my own desk, my own wall with my own postcards pinned to it, and my own window not to look out of.
All novels must be autobiographical because I am the only material that I know. All of the characters are me. But at the same time, a novel is never autobiographical even if it describes the life of the author. Literary writing is a completely different medium.
Gender is the poetry each of us makes out of the language we are taught.
The mark of a man of the world is absence of pretension.
Who are we, who is each one of us, if not a combination of experiences, information, books we have read, things imagined? Each life is an encyclopedia, a library, an inventory of objects, a series of styles, and everything can be constantly shuffled and reordered in every way conceivable.
The freedom to make and remake our cities and ourselves is, I want to argue, one of the most precious yet most neglected of our human rights.
There is a certain indolence in us, a wish not to be disturbed, which tempts us to think that when things are quiet, all is well. Subconsciously, we tend to give the preference to 'social peace,' though it be only apparent, because our lives and possessions seem then secure. Actually, human beings acquiesce too easily in evil conditions; they rebel far too little and too seldom. There is nothing noble about acquiescence in a cramped life or mere submission to superior force.
I think vital religion has always suffered when orthodoxy is more regarded than virtue. The scriptures assure me that at the last day we shall not be examined on what we thought but what we did.
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