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When it is said that an object occupies a large space in the soul or even that it fills it entirely, we ought to understand by this simply that its image has altered the shade of a thousand perceptions or memories, and that in this sense it pervades them, although it does not itself come into view.
I should be proud to have my memory graced, but only if the monument be placed... here, where I endured three hundred hours in line before the implacable iron bars.
Why do people have memories? It would be easier to die - anything to stop remembering.
All the art of the past rises up before me, the art of all ages and all civilizations, everything becomes simultaneous, as if space had replaced time. Memories of works of art blend with affective memories, with my work, with my whole life.
And if Time is anything akin to God, I suppose that Memory must be the Devil.
Structure that really pays off is all based on emotion. I don't write down an elaborate plan. It's really done by feel. It's one area of my writing that I think I've got surer at as I've evolved. In my work you often get an abrupt shift in time, a jolt. But the emotional logic will take the reader on. I hope. I trust. After all, our memories do not work with any sequential logic.
Sometimes I get the start of a story from a memory, an anecdote, but that gets lost and is usually unrecognizable in the final story.
There’s something disturbing about recalling a warm memory and feeling utterly cold.
You will find that your taste buds have a memory of about 3 weeks.
In a 'wheat and tares' world, how unusually blessed faithful members are to have the precious and constant gift of the Holy Ghost with reminders of what is right and of the covenants we have made. 'For behold, ... the Holy Ghost ... will show unto you all things what ye should do.' (2 Ne. 32:5.) Whatever the decibels of decadence, these need not overwhelm the still, small voice! Some of the best sermons we will ever hear will be thus prompted from the pulpit of memory—to an audience of one!
Duration is the transformation of a succession into a reversion. In other words: THE BECOMING OF A MEMORY.
Commemoration of Pandita Mary Ramabai, Translator of the Scriptures, 1922 A memory of yesterday's pleasures, a fear of tomorrow's dangers, a straw under my knees, a noise in my ear, a light in my eye, an anything, a nothing, a fancy, a chimera in my brain, troubles me in my prayers.
During my last year of college I wrote the same ten pages over and over again. Those ten pages became the first few pages of my first novel. I can still recite the opening paragraph from memory - only now I cringe when I do it because they are - surprise! - a classic example of overwriting, in addition to being a more than a little pretentious.
Poems come from ordinary experiences and objects, I think. Out of memory - a dress I lent my daughter on her way back to college; a newspaper photograph of war; a breast self-exam; the tooth fairy; Calvinist parents who beat up their children; a gesture of love; seeing oneself naked over age 50 in a set of bright hotel bathroom mirrors.
Who wants to put together something that will bear some relationship to the vision or memory or experience or story or idea or dream or whatever.
You can find poetry in your everyday life, your memory, in what people say on the bus, in the news, or just what's in your heart.
Memory is redundant: it repeats signs so that the city can begin to exist.
Memory as an inversion of historical time is the essence of interiority.
People want to avoid the past. I suppose that's natural. When we tally up all we've said and done over the years, despite the wonderful memories, the regrets may be fewer but stand out more prominently, glowing coals that we can never quite extinguish, try though we might
Surrealism will usher you into death, which is a secret society. It will glove your hand, burying therein the profound M with which the word Memory begins.
It takes good memory to keep up a lie
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