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I have been in the industry for many years now, but people still come up to me and say, 'Sir, you're such a good actor. We loved watching you in that movie. What's your name?' While any other actor might get offended, I don't mind this at all.
Every playoff game is kind of like its own movie.
May be someday a movie will be made on my life.
It's never been written about, but before the blacklist of Dalton Trumbo and the Hollywood Ten, there was a de facto blacklist by Communists in the movie industry, and there were a lot of them.
You see movie stars advertising all sorts of things today for whatever reason. And it may be that it affords them the luxury to do smaller movies or to go and do a play. Because, otherwise, you have to keep doing movies where you get paid millions and millions of dollars to maintain a certain lifestyle.
It's really rare to come across a character, a show, or a movie that allows you to completely play four or five different characters within a season, let alone a week.
Let us say in the pocket of one of my old coats I find a movie ticket from many years ago. Once I see the ticket, not only do I remember that I saw this movie, but also scenes from this movie, which I think I have entirely forgotten, come back to me. Objects have this power, and I like it.
Until this movie I have played a boxer, a cowboy, a knight, a prince, an elf and a pirate. I am so glad to have done all of that already, and am ready for this phase of my career.
My mom always told me I could do or be anything I dared to dream, and I always wanted to work in the movie industry.
I remember the first time my mind was blown by an actor was Tim Curry, because I loved 'Clue' when I was a kid, and then I was watching the movie 'Legend,' and the Devil suddenly smiles, and I was like, 'It's the same guy!' It was a total Keyser Soeze moment.
The first movie I can remember seeing in the theater was 'Return of the Jedi.' I can remember seeing Darth Vader's helmet come off. The shock of that moment.
Every frame of a Coen brothers movie is filled with history and meaning, and the deeper you go, the deeper you get. That's why their movies stand up particularly well to repeated viewing and investigation.
I don't know why people are so obsessed with finding out stuff before the movie comes out. It's so much more fun to just go. I mean, I don't do that. I don't go looking for stuff that I'm interested in, you know, to try and find out pictures and what the movie's about. It's so much more fun to be surprised.
To me, I approach a small-budget, artsy, European movie the same way as a big commercial Hollywood movie. That's the most important thing. Hollywood usually represents this big dream in people's minds, but to me, it's just hard work.
'Frances Ha' is the closest final product to what I had in my head of any movie I've made. I'm not entirely even sure why that is.
I always viewed life as material for a movie.
I've had great experiences or joyful experiences making a movie that people found very disturbing.
When I make a movie, I have both a specific and vague, amorphous dream idea of what the movie is going to be. Of course, I don't actually know what it's going to be, but I'm still striving to get to some place with it.
A book is full of ideas. You just live with what you read for so much longer. A lot of the times, nowadays, with a movie or TV show, it's like, 'Oh, it's entertainment!' And you never think about it again.
The great thing about an anthology is that each year is its own 10-hour movie, and the only requirement is that it's the best 10-hour movie that I can make out of the story.
The other day I went to a movie with some friends, and they were like, 'Let's look it up on the Internet and see what people are saying,' and I was like, 'Man, that's messed up.'
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