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Celebrities, movie stars and rock stars are losing their mystique.

I was at the AMC Century City movie theater with my mom, and we were walking through the lobby, and these girls came up to me, and they said, 'Are you Dallas from 'Austin & Ally' - and I was like, - yeah, yeah. And they were like, 'Can we have a picture with you?' and I was like, 'Yeah sure of course.'

You know in acting you have those moments in a movie where a character yells or breaks down crying and you're like, wow, that's acting?

I love watching the superhero movies, and I would love to make one. But in a way, 'Drive' is probably the greatest superhero movie ever made.

My writing has always been more out of the need to write a movie rather than me being a good writer.

I thought it would be interesting to try something in Hollywood after a movie like 'Valhalla Rising,' which I was really pleased with, personally.

Our memory and the movies keep movie stars alive for us, and Tony Curtis is still a star.

These days music composers are singing themselves or making other male artistes sing. It is very tough to find a female single in a movie album and even if it is, it is just a female version of a song sung by a male artiste.

There weren't many options growing up, so I would wear whatever possible. I once saw a little boy wearing Jordan sneakers in a movie... and that made me dream.

I kind of stumbled on the material for 'An Education' and thought it would make a good movie, and one of the things that came out of that, for me, was that I learned that if you write a big part for a girl or a young woman, you get the opportunity to work with the best talent in the world.

The more screenwriting you do, the more you become aware that particular scenes aren't going to end up in the movie because they're too expensive. That has perhaps changed the way I think about writing novels, actually, because now I write expensive scenes whenever I can.

My mum came to the set of my second movie 'Connie and Carla,' and she had made food for the whole cast, including mini bun cakes with little flowers sticking out of each one.

I write through improvisation. I never card out a movie. You know how people will outline or card? I don't do that. I tend to start with an idea and go.

Every time I sign a contract, I donate something to charity and buy a piece of jewelry. Whether the movie gets made or not, it's a celebration.

No, I wouldn't direct a movie, no. I couldn't. I don't have the patience for it, I don't have the people skills. You have to be clever. I'm not really clever in that kind of way. And you have to be able to manipulate people, but at the same time allow them to feel like they are manipulating you, to get the kind of movie that you want.

I've been in movies where the movie doesn't come together but the role comes together, or the movie comes together but the role doesn't come together or something like that. Something misses. It's very difficult to make it hit on all cylinders - it's just very rare.

I finished 'Candyman,' I had two weeks of vacation and then I started my next movie.

Candyman' was a real urban legend for me as a kid, it wasn't just attached to the movie.

I watched the movie 'What We Do in the Shadows' in a packed theater when it first came out.

I think 'Candyman' is important in that way. Not necessarily my movie, but the concept of a sort of mythological figure that you can transpose a lot of stories on through horror, which is an easier genre through which to passively accept some hard truths.

I'm on a crusade to get movie directors to get their science right because, more often than they believe, the science is more extraordinary than anything they can invent.

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